A Quote by Susan Wiggs

In all my novels, a sense of place - not just geographic but social - is a critical element. I have always been drawn to the novels of Edith Wharton, among others, where social dynamics are crucial. Wharton's class consciousness fascinates me, and some of the tension in my books stems from that.
I think I'm too indoctrinated. I'm going to use everything I can, and I think if I used an advertisement in that one, it would be yet another way to connect the current day with Wharton. Wharton has been perceived sometimes as being too upper class; Wharton was an extraordinary social thinker. As relevant today as anyone, so she uses some language that isn't current, but to me, I'm so happy about that because I get so bored with the 100 words that people mostly use.
This is a glorious biography ... The time is ripe for a new biography of Edith Wharton of this intimacy and on this scale ... Lee the biographer pursues her subject down every winding corridor, into every hidden passage and dark corner ... Her critical exploration of Edith Whartons work is dazzlingly assured ... A feat of exhaustive research, and finely tuned to Whartons creative achievement at the same time ... [Wharton] could scarcely have failed to be impressed by ... its artistic sympathy, its sonorous depths, and its soaring conception.
The savagery and power of Edith Wharton's ghost stories surprised me.
The Buccaneers was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.
'The Buccaneers' was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.
My two goals are to read everything Edith Wharton has ever written and to have an art collection.
Henry James and Edith Wharton are huge for me because they gave me a way to understand America while still respecting the European backgrounds of my relatives.
I live by Edith Wharton's rule to get rid of anything neither useful nor beautiful. So I put the TV out on the street.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
If Edith Wharton lived in the Age of Innocence, surely we now live in the Age of Deception.
All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.'
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.
I'm a severe graphic novels junkie. People ask me about it, and I say I like the graphic novels. Comic books are for kids, and graphic novels are for adults. But you can't really separate the two.
My wife thinks I have an obsession with social class. So I guess I have an obsession with social class. It probably stems from feeling like an outcast.
We English majors...need to promote public libraries as a tool in the war against terror. How many readers of Edith Wharton have engaged in terroristic acts? I challenge you to name one...Do we need to wait until our cities lie in smoking ruins before we wake up to the fact that a first-class public library is a vital link in national defense?
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