A Quote by Susana Martinez
When I was a young prosecutor, I got called to testify against my boss. I could have backed down, but I didn't. I stood up to him. And he fired me for it.
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I got fired from a movie that ended up being called 'Windows,' which Gordon Willis, the cinematographer, directed. I got fired because he refused to cast Meryl Streep, who at the time was at Yale. I told him I thought he was an idiot, and he fired me.
I am working in my office. I've got a boss who tells me what to do. He's got a boss who tells him what to do. And above him is another boss who probably is telling my boss in the same way - or my boss' boss in the same way what to do. In actuality, this is not the way things work. Management science says that that kind of a chain doesn't work more than three levels up.
Basically, Pizza Hut just backed out on the ad agency at the last minute. They got fired and we got fired. It was a simple as that. We do stuff like that on and off.
I didn't get fired." "You didn't punch your boss and get fired from the Tribune? That's what I heard." "I punched what could loosely be called a colleague for cribbing my notes on a story and since the editor–who happened to be the asshole's uncle–took his word over mine, I quit." "To write books. Is it fun?" "I guess it is." "I bet you killed the asshole in the first one you wrote." "You'd be right. Beat him to death with a shovel. Very satisfying.
I'm a huge fan of Zach's [Galifianakis] and I auditioned Zach a million years ago on a movie called Duplex which I was fired from. But Zach came in - It was like 2000, maybe - as a buddy stand-up that people were starting to notice and there was something about him I loved. He wasn't quite right for the part in [Keeping Up with the Joneses] and I got fired anyway, so who cares? But I always wanted to work with Zach.
Just think of what Woodrow Wilson stood for: he stood for world government. He wanted an early United Nations, League of Nations. But it was the conservatives, Republicans, that stood up against him.
The only time I had any butterflies was when I stood up and backed toward the open door and looked down.
It just took the right time. I was fully confident that I was going to see Sam Phillips and to record for him that when I called him, I thought, I'm going to get on Sun Records. So I called him and he turned me down flat. Then two weeks later, I got turned down again. He told me over the phone that he couldn't sell gospel music so - as it was independent, not a lot of money.
I couldn't get a job acting all the time and there were down periods where I could take photographs or paint. I got into a lot of trouble when I was young, from making two films with James Dean, watching him work and then him dying and thinking I could turn down work. There was a big difference, he was a star and I wasn't. So I got in a lot of trouble and was essentially banned from Hollywood.
I remember a long, long day of filming and it took forever to get Kirk Douglas up on his cross. We played a terrible joke on him when, as he was safely installed, the assistant director called lunch and left him up there. He could have had the lot of us fired but he was very good about it. You have to have a sense of humor in this industry.
If I didn't have my parents to think about I'd have given in my notice a long time ago, I'd have gone up to the boss and told him just what I think, tell him everything I would, let him know just what I feel. He'd fall right off his desk! And it's a funny sort of business to be sitting up there at your desk, talking down at your subordinates from up there, especially when you have to go right up close because the boss is hard of hearing.
I will never forget that the only reason I'm standing here today is because somebody, somewhere stood up for me when it was risky. Stood up when it was hard. Stood up when it wasn't popular. And because that somebody stood up, a few more stood up. And then a few thousand stood up. And then a few million stood up. And standing up, with courage and clear purpose, they somehow managed to change the world.
Once I got over my initial butterflies, being in the same room and doing a scene with Jimmy Caan was great. I never backed down for one second against him. I loved it. I love those moments. Working with people like that is the greatest joy you can get as an actor.
My first boss was a tall, slim man called Mr. Wheel. I worked for him as a secretary in a food company in central London. He really liked young people and was like a father figure to me.
I peeked up at him one more time, and regretted it. He was glaring down at me again, his black eyes full of revulsion. As I flinched away from him, shrinking against my chair, the phrase if looks could kill suddenly ran through my mind.
When they say I'm a bad teammate and that I got a coach fired, that irritates the hell out of me. The biggest thing for me is to always have respect for my teammates. And then the whole Westphal thing - the man got himself fired. He was losing before I got here.
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