A Quote by Susane Colasanti

Too bad guys aren’t like Mr. Potato Head Where you can pick and choose which parts you want. Then we might come up with a guy who meets your standards. - Maggie — © Susane Colasanti
Too bad guys aren’t like Mr. Potato Head Where you can pick and choose which parts you want. Then we might come up with a guy who meets your standards. - Maggie
I'm not going to do anything out my way to try to get somebody to watch me because I want to act a buffoon. I want to build a character that I want my kids to look up to. It's OK to be the bad guy when it's time to be the bad guy, but to live and be the bad guy all day, every day? It's like, 'No, come on, man, you're making us look bad.'
A bad girl can emotionally make a guy feel like a girl because they break hearts, too. A bad girl is dangerous because she might be honest with you and say, 'Listen you're not the only one. I just want you to be my friend,' and sometimes that might affect a guy in a weird way.
In real life I do a lot of reconnaissance and then kind of choose the guy I'm going to go after. Not like stalking, but I just want a little background info. That might be why I haven't had many bad dates.
The problem with my guys, all my guys, they come in and improve themselves so fast in college: they go from 'He's this and this' to 'That kid is the first pick or second pick. Four. Five. Seven.' Tell me about those teams: not great. So my guys are walking into bad situations.
A wise man knows when to go 'head and back off so you gotta pick and choose your fights. I know how to pick and choose.
I quickly realized that more than any other vegetable, the potato evokes strong reactions in people. As the head of communications for the International Potato Centre in Peru put it, 'No one gets worked up over lettuce like they do the potato.'
A movie is better than real life because in the movies only the bad guys die. Or you can pick the good movies where the bad guys die and only those. If you get tricked and a good person dies in the movie then you can rewrite it in your head so the good person lives and the part about death is superfluous.
There was a time when guys just had a specialty, like boxer or wrestler or jiujitsu guy. Then came guys who could blend taking you down with also being able to kick your head off.
Everyone likes to be the heel. Everyone wants to be the bad guy. I mean, I love being the bad guy, but the crowd doesn't want me to be a bad guy. In real life, I'm too much of a good guy to be a bad guy.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
Instead of lowering your head and copping to it like a man, you pick up the journal as one might hold a bady's beshattered diaper, as one might pinch a recently benutted condom. You glance at the offending passages. Then you look at her and smile a smile your dissembling face will remember until the day you die. Baby, you say, baby, this is part of my novel. This is how you lose her.
You know, Castle's the kind of guy that when he meets somebody, that's a connection for him. He remains connected to the people that he meets. That's the kind of guy he is, be they criminals, gangster rappers, mafia guys, art thieves, whoever it is, he nurtures those relationships.
That's exactly how I want you to feel. When you finish this book, I want you to be filled with curiosity. I want you to say, “I have to find out what happens next,” and then I want you to head to your nearest library or bookstore to pick up a copy of Wuthering Heights.
Im a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I dont like passive good guys.
If we don't like the Human Rights Council, then let's not fund it. We should pick and choose cafeteria style which groups we want to help.
You kind of half-prepare a speech in your head, and then you get up there and then you end up saying nothing that was in your head before you went up there. It's a very weird thing. I never do award speeches too well.
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