A Quote by Susanna Clarke

I can write most places. I particularly like writing on trains. Being between places is quite liberating, and looking out of the window, watching a procession of landscapes and random-ish objects, is very good for stories.
I think that some of the most amazing places to be or to grow up are the places right outside of great cities, because you're sort of constantly in this suspended state of, like, looking inside the window, wanting to be in the party. I think it breeds good feelings.
I get inspired in certain places. You have to write in places like Amsterdam or Paris or New Zealand, when you're standing on a yacht, looking out at the middle of the ocean.
The places where I have the nameless character in 'My Name Is Legion' meet his boss are real places I've been to. That works well for tax purposes, writing into my stories the places I've actually visited.
What I enjoy most are those times when I get an idea and it just flows - the words coming so fast that I'm scribbling to keep up with my characters. I don't have any writing must-haves; this is a good thing, since I've done a lot of my writing in random places like the playground or the subway.
The most interesting thing was looking out the window and taking photographs of different places on Earth.
For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.
I like trains. I like their rhythm, and I like the freedom of being suspended between two places, all anxieties of purpose taken care of: for this moment I know where I am going.
There are fast ideas and slow ideas, just as there are fast trains and slow trains. When it comes to money, most people are on the slow train looking out the window watching the fast train pass them by. If you want to become rich quickly, your plan must include fast ideas.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
...candid still photography had taken over... What was interesting was that the photographs came without any intention of instructing you... You're like a cat looking out the window. You don't have to even know what you're watching, but you're watching it, and you're watching it very accurately.
The world is filled with archaic objects - mailboxes which look like alarm boxes, banks which look like places to break out of rather than places to enter.
The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.
To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.
When I write songs, it's very random. I get influenced by the most random things! Sometimes it just comes to me in my sleep or just hanging out in a restaurant or something. Music just comes to me, and I'll start writing from there.
Being in unfamiliar places has no effect on my writing, except that it often means I'm caught up in the logistics of travel, the places and people on the spot, etc., etc., which can mean that I don't have the time to write. But I try, wherever I am, to take a couple of hours in the early evening to go off and write. Because I never write from personal experience, per se, where I am makes no difference except for this element of available time.
I remember Geauga Lake. I remember Six Flags. I remember going to the mall. I hung out there. These big, grand places that served as pinnacles of the community were not only institutions or places of commerce. They were communal spaces where a lot of people went and shared good memories. These are very nostalgic places.
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