A Quote by Susanna Clarke
I had always been fascinated by comics, but it had taken me several weeks to make up my mind to buy 'Watchmen'; for someone on a publisher's assistant's salary, it was some quite unheard-of sum of money.
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Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
I suppose in the back of my mind I was always one of those guys who had a disdain for money. It had a value if you wanted to buy something, but if you didn't want to buy something, you didn't need it.
My grandfather was a newspaper publisher and his paper had all the comics in NYC, so some of my earliest memories are of reading the family paper and heading straight for the comics insert.
I wondered where the person was who had taken my place, who wanted to know what news people had been told. I'm always looking for the person who replaces me, who thinks the things I do, who fills in for me when I'm not there. I know there is someone younger than me doing what I did and someone older doing what I will do, and someone my age being just like me.
He looked at the book, took my name, and consulted his records. Then he informed me I had been lost at sea and was dead. Under the circumstances, he could not possibly give me any money... Even the fact that he was dealing with someone who had been dead for several days failed to awaken interest in his official heart.
I don't know how it is now but the assistant stage manager had to understudy several parts. You had to be ready to go on at any time if the actor couldn't make it to the play. I didn't think anything of it.
Some thoughts went through my head about recording some stuff that had influenced me earlier in my career like blues and early rock. But it didn't seem to really make sense at that point - it might have been taken the wrong way. A lot of people already had been into that trip.
Undocumented people have been targeted for years now. Even under the Obama administration, there was a really large number of deportations of undocumented people. Trump has just taken that policy and ratcheted it up several notches. He's made it much more intense. We've had situations where people who would have been covered by the Obama administration, people who had been promised a path toward legal residency, had that taken away. I did not imagine that. I could never have imagined that happening.
I had my first stereo when I turned 12, and every two weeks, I would save up money and buy one CD.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.
We have never heard of laundering in Macau; money laundering is unheard of. Mind you, my casino, every bit of money - someone says Stanley Ho, you issue me a check of so much money - we don't give that easy.
A scene of Mahabharata where the Surya Devta(Sun God)would come to bless Kunti with a baby The child watching this on TV says "I have been taught that Neil Armstrong had taken several days to reach the moon.Surya Devta took only half a minute to land up in the Kunti's room; that too, he didn't even need a rocket-he had simply walked. Science and Sanskrit had always appeared contradicting subjects to me at school:-)
I always took quite seriously the things that Chuck D. of Public Enemy had to say. He's always been someone I've learned quite a bit from and someone I pay a great deal of attention to.
I dont know how it is now but the assistant stage manager had to understudy several parts. You had to be ready to go on at any time if the actor couldnt make it to the play. I didnt think anything of it.
I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.
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