A Quote by Susanna Kearsley

Even a writer like me, who, in 'The Firebird,' is telling the story of people who've been dead for nearly three centuries, needs to take care. Those people may not be around any longer to tell me what actually happened, but neither are they able to defend themselves against unjust portrayals.
Because The Honorable Elijah Muhammad makes black people brave enough, men enough to defend ourselves no matter what the odds are, the white man runs around here with a doctrine that Mr. Muhammad is advocating the violence when he is actually telling Negroes to defend themselves against violent people.
Any kind of dictatorship, I'm uneasy. I just don't like dictators. I don't like crowds. I don't like hordes, and I don't like other people telling me what to do. This is probably a reaction against people telling me what to do when I was a kid. I won't join any group, espouse a cause against some other people.
As a writer, I'm more interested in what people tell themselves happened rather than what actually happened.
You’re not terrified of me. You’re terrified of letting yourself care for me, and I can’t say I blame you. People who love me usually end up dead. But you see, I’m not going to give you any choice. You belong to me now whether you like it or not.” “I don’t like it, not one bit!” “Try to escape,” he suggested coolly. “Go ahead. See what happens. Give me one excuse to take what I want from you, even if it is against your will. I want you that much. Too damned much.” He turned without warning and kissed her, flattening her back against the pine mast.
I always tell people, 'Stop coming to me and telling what people are saying about me.' I don't care anymore. I always get the people that come to me and say, 'Girl, I just want to tell you... ' and I'm like, 'Nope.'
The UFO was bouncing around the 747. It was a huge ball with lights running around it... Well, I've been involved in a lot of cover-ups with the FAA. When we gave the presentation to the Reagan staff, they had all those people swear that this never happened. But they never had me swear it never happened. I can tell you what I've seen with my own eyes. I've got a videotape. I've got the voice tape. I've got the reports that were filed that will confirm what I've been telling you.
I know the devil is working against me. I already know my mission and what I'm really here to do. People may not see it but he's been working overtime. He's not even able to mess with other artists because he's got so many demons around me.
I like to keep people around me like the guys I have on the road with me, three of them were childhood friends of mine when I was growing up in Scotland. They don't look at me any different than when we were in primary school. So it's good to keep people like that around you. I think if you surround yourself with good honest people, they will tell you what to hear when you need to hear it.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
I don't mind when people are telling me about their 1971 Firebird, but it's the same thing as people telling me about their car or something. It's fine if you have an interest. By talking with me, though, you could be interviewing a novelist about guitars. It's the same thing, except I don't write that well either.
People whose integrity has not been damaged in childhood, who were protected, respected, and treated with honesty by their parents, will be-both in their youth and in adulthood-intelligent, responsive, empathic, and highly sensitive. They will take pleasure in life and will not feel any need to kill or even hurt others or themselves. They will use their power to defend themselves, not to attack others. They will not be able to do otherwise than respect and protect those weaker than themselves, including their children, because this is what they have learned from their own experience.
It wasn't even a matter of what I was photographing, as what had happened to me in the process. When I discovered that I could look at the horror of Belsen --4000 dead and starving lying around-- and think only of a nice photographic composition, I knew something had happened to me and I had to stop. I felt I was like the people running the camp --it didn't mean a thing.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
People around me die. They drop like flies. I've gone through life leaving a trail of dead bodies behind me. My mother is dead, my guardian is dead, my aunt is dead—because I killed her, and when my real father finds me, he'll move heaven and earth to make me dead.
Events that have happened during the past month have confirmed me in the opinion that the Imperial Government have acted in the Khilafat matter in an unscrupulous, immoral and unjust manner and have been moving from wrong to wrong in order to defend their immorality. I can retain neither respect nor affection for such a Government. The attitude of the Imperial and Your Excellency's Governments on the Punjab question has given me additional cause for grave dissatisfaction.
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