A Quote by Susanna Kearsley

In the years that I worked in museums, first as a summer student and eventually as a curator, one of the primary lessons I learned was this: History is shaped by the people who seek to preserve it. We, of the present, decide what to keep, what to put on display, what to put into storage, and what to discard.
I have a storage unit, as I moved out of a bigger house into a smaller house in L.A. I put all my stuff in a storage unit, where I have the most amazing collection of bad paintings, which took me 10 years to put together.
I will put my Butkus (Award) in storage. I will put my Alamo Bowl MVP trophy in storage. Jerseys, anything Penn State, in storage. Wherever Tom Bradley goes, that's the school I will start to put memorabilia up in my home. I'm done. I'm done with Penn State. If they're done with us, I'm done with them.
You've learned the lessons well. You first learned to live on less than you earn. Next you learned to seek advice from those who are competent. Lastly, you've learned to make gold work for you.
It was during my first trip to America in 1953 - that's when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
It was during my first trip to America in 1953 - thats when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come.
God preserve us from writers who regurgitate what they have learnt from books! It is people's secrets we want to know - it is the natural history of the human heart that we have been trying to put down for a thousand years and everyone must and can leave their contribution.
The accounts that history presents have to be paid. Past has to be reconciled with present in the life of a nation. History is an insistent force: the past is what put us where we are. the past cannot be put behind until it is settled with.
Museums are managers of consciousness. They give us an interpretation of history, of how to view the world and locate ourselves in it. They are, if you want to put it in positive terms, great educational institutions. If you want to put it in negative terms, they are propaganda machines.
The very concept of history implies the scholar and the reader. Without a generation of civilized people to study history, to preserve its records, to absorb its lessons and relate them to its own problems, history, too, would lose its meaning.
We should go boldly where man has not gone before. Fly by the comets, visit asteroids, visit the moon of Mars. There's a monolith there. A very unusual structure on this potato shaped object that goes around Mars once in seven hours. When people find out about that they're going to say 'Who put that there? Who put that there?' The universe put it there. If you choose, God put it there.
If America is to be run by the people, it is the people who must think. And we do not need to put on sackcloth and ashes to think. Nor should our minds work like a sundial which records only sunshine. Our thinking must square against some lessons of history, some principles of government and morals, if we would preserve the rights and dignity of men to which this nation is dedicated.
And I always was getting fired and quitting jobs, so I was not going to ruin Public Storage, and I was excited about Public Storage because I knew eventually I could be one of those property manager people that had their own apartment on site. So I had these big dreams for Public Storage.
I believe we lose immortality because we have not conquered our opposition to death; we keep insisting on the primary, rudimentary idea: that the whole body should be kept alive. We should seek to preserve only the part that has to do with consciousness.
In big museums, the role of the curator has shrunk in recent years as different branches of curatorial work - such as interpretation, or learning, or conservation - have split off and become professions of their own.
To write it down was to put the finishing touch on any event, see what it was, what it meant, what it stood for. To put anything into words was like pouring melted wax on top of cold glasses of jelly, to harden there and preserve and keep what was underneath like new.
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