A Quote by Susanna Moore
It is possible to say that all of my books concern themselves with the notion of what it means to be female - whether it is in New York City in 2000 or Calcutta in 1836. In that way, my books really are the same.
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I know what I as an editor respond to is a voice. A voice is not just a stylistic thing, but it means someone who really has something to say. I think a lot of what I get from books - whether they be books of comics or books of literature - is a window into somebody's mind and their way of thinking. Somehow, I can recognize some of my feelings in seeing somebody who is actually expressing their own inner reality.
And at the moment of contact, they do not know if the hand that is reaching for theirs belongs to a Hindu or Muslim or Christian or Brahmin or untouchable or whether you were born in this city or arrived only this morning or whether you live in Malabar Hill or New York or Jogeshwari; whether you’re from Bombay or Mumbai or New York. All they know is that you’re trying to get to the city of gold, and that’s enough. Come on board, they say. We’ll adjust.
I am a product of endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic...In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.
Looking back at 'Taxi Driver' or, really, any of the Martin Scorsese films, he really filmed New York City in a way that I saw New York City.
Books are special, books are the way we talk to generations that have not turned up yet. The fact that we can actually, essentially communicate with the people in ancient Egypt, people in Rome and Greece, people in ancient Britain, people in New York in the 1920s who can communicate to us and change the way we think, and change the things that we believe. I think that books are special. Books are sacred. And I think that when you are selling books, you have to remember that in all the profits and loss, in all of that, you are treading on sacred ground.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
Every city and town in America would be bankrupt if they kept their books the way private-sector companies keep their books - because of the obligation cities and towns have taken upon themselves to provide health care for their retirees.
I was really inspired by seeing self published zines and mini-comics: seeing someone else make work that was either really personal, or was just done entirely themselves. It really showed me what was possible for my own art, and I hope that my books will inspire readers in the same way.
I can't single out one of my books or characters as a favorite. In the same way that I don't have a favorite kidney, my books are organically all part of myself. I might even say that put all together, the books are one ongoing, developing story - which, not coincidentally, happens to be my own lifestory.
Sometimes I read the same books over and over and over. What's great about books is that the stuff inside doesn't change. People say you can't judge a book by its cover but that's not true because it says right on the cover what's inside. And no matter how many times you read that book the words and pictures don't change. You can open and close books a million times and they stay the same. They look the same. They say the same words. The charts and pictures are the same colors. Books are not like people. Books are safe.
As far as this categorization of books, the way I see it is there are really a hundred-odd categories of books plus one, and on the top shelf at home, I've got the books I love, my favorite books, and that's the type of book that I want to write.
I'm aware more than I was before I had books published that any review is a bit arbitrary - it's not really, say, 'The New York Times' that's authoritatively weighing in on the quality of a book, though it seems this way to the public.
New York is just New York. It's a hard city, it's a hard city to live in. It's a desperate city. It's filled with scam artists and people who are always looking for a way in and a way out and the majority of people have to really negotiate their way through that jungle to get to the other side; the other side being a place of tranquility and peace and home and safety.
I've been living in New York City almost seven years, and my mentality has changed a lot. Just from being in New York this long and going across America, I realize that in New York, nobody really cares. They are just like, "We're New Yorkers." I feel like that is really the way it should be.
Only idiots or snobs ever really thought less of 'genre books' of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary.
The books in Mo and Meggie's house were stacked under tables, on chairs, in the corners of the rooms. There where books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fall over them.
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