My plan always was to play college football, hope to get a few snaps in and then go on to medical school. As I went further in my career and got to my junior year, I realized as I looked around, 'I got a shot here, and I might as well go after it.'
Naivete is the real reason I applied to Juilliard. I wanted to study drama and not musical theater because I have a hard time dancing. I only applied there.
I want to go get a stop on defense so James can do it again. It was a big spurt for him. That made then get out of their game plan and play him closer. But when he does that, we want to make sure we capitalize and get timely stops. And that's what got us right back in the game.
I asked my parents for permission to study in America and they were so sure that I wouldn't get in and get a scholarship that they encouraged me to try. So I applied to Yale and got an excellent scholarship. I then worked for the Boston Consulting Group for six and half years.
You can't plan the best day because it just happens. But if I had to plan it, then I would go away for long drive for sure.
I applied to the Guildhall School of Music and Drama in London and didn't get in the first year, so I worked at Costa and the Dean Gallery Cafe then applied again and got in the next year when I was 18. I was so excited.
You follow the law. Every few months, you need to fly back to Europe and stamp your visa. After a few visas, I applied for a green card and got it in 2001. After the green card, I applied for citizenship. And it was a long process.
I'm very cautious about talking about how actors got where they got, as though there is in fact a plan or a way. There is no plan, there is no way, there's no sure set, there's no handbook, on how to get to be an actor.
You have to figure out what that is, and you have to make a plan to get to it. And the plan has got to have a timeline. You have to choose something that you can afford to do and then lock it in and passionately do it.
I think the seed was planted when I was a teenager, and it took me until I got out of Juilliard. At Juilliard I was just learning to be a composer, but I was also learning how to manipulate computers.
First of all, you've got to have a vision of 'What kind of program do I want to have?' Then you've got to have a plan to implement it. Then you've got to set the example that you want, develop the principles and values that are important, and get people to buy into it.
I was going to be a chemical engineer - I was a science nerd - that was the plan. I secretly applied to USC and NYU and got a scholarship to go to NYU based on a dumb animated short I made. It was a huge shock to me and my family.
When a fellow's got what he set out for in this world, he should go off into the woods for a few weeks now and then to make sure that he's still a man, and not a plug-hat and a frock-coat and a wad of bills.
If you don't have a plan for what you want, then you will probably find yourself buying into someone else's plan and later find out that was not the direction you wanted to go. You've got to be the architect of your life.
I never expected to go to Juilliard. When they came recruiting in Miami, I auditioned. I got a scholarship.
If I have any attribute that serves me well, it's I don't have a long-range plan in life. I have no idea. I just don't look ahead, I really don't. You know when people get out of college and they're talking about their five-year plan. Five-year plan? I got a plan to get to Friday.