A Quote by Susanna Reid

I may look like I'm in control on TV, but underneath I'm trying to hold it together like we all are. Here's to busy mums everywhere and the power to, occasionally, say 'enough'.
Now I really make the little idea from clay, and I hold it in my hand. I can turn it, look at it from underneath, see it from one view, hold it against the sky, imagine it any size I like, and really be in control almost like God creating something.
Sometimes you look at me and it's like all the bullshit gets stripped off and I'm left with what's underneath and I kind of like what I see. Someone who actually fails. Someone who has absolutely no self-control. Someone who says real dickhead things like 'this is complicated.' I like that part of me, you know. I like the fact that I know I can't control you or how I feel about you and that doesn't freak me out.
and now sometimes I'm interviewed, they want to hear about life and literature and I get drunk and hold up my cross-eyed, shot, runover de-tailed cat and I say,"look, look at this!" but they don't understand, they say something like,"you say you've been influenced by Celine?" no," I hold the cat up,"by what happens, by things like this, by this, by this!
Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
I think, now that I am a mother, I look at other mums like Jo Pavey and just mums that go back to work and work incredibly hard, and I have so much admiration and appreciation for how hard it is.
Essentially, no one can control what other people think of the final outcome. Once it's done, the audience will like it or not, they may even think I'm an idiot. They can also think I'm brilliant or whatever, I can't control that. What I can control is the joy in putting it together, the process of the work itself. I try and create an atmosphere where we're all enjoying the work. That's the only thing you can hold on to, the only true thing.
... trying to control construction costs is like trying to control the cost of a hospital stay. You may not realize that when you sneeze and the nurse hands you a box of tissues, it generates a $5 charge on your bill. But you still have to pay.
The real truth that dare not speak itself, is that no one is in control, absolutely no one... Nobody is in control. This stuff is ruled by the equations of dynamics and chaos. Now, there may be entities seeking control - the World Bank, the Communist Party, the rich, the somebody-or-others - but to seek control is to take enormous aggravation upon yourself... It's like trying to control a dream.
I think a lot of times people look at me and say, 'Well, we can't possibly hand a show over to her to run.' It seemed like executives would be worried about me controlling a room and having power, and I'd say, 'Oh, I can control a room. I can give an order like nobody's business.'
It was like we were all so busy trying to be happy or saying we were happy, but underneath there was nothing but bitterness, the kind that could only be bled out in ink, in unspoken word.
No, I'm too busy trying to deflect your Power of Stupidity. But I don't think I'm strong enough.
I've been around a long time, and young men, if there is one thing I know, it is that the only way to kiss a girl for the first time is to look like you want to and intend do, and move in fast enough to seem eager but slow enough to give her a chance to say "So anyway ..." and look up as if she's trying to remember your name.
Sharks attack surfers because they look like a seal. Apparently, when you're layng on your board and you have your arms and legs hanging off, from underneath you look like a seal. So I just got a picture of a seal and put a red line through it and put it underneath my board.
I like to look put together without trying too hard. I don't want to look as if God's made another rainbow - I prefer muted, autumnal colours, like most fading redheads.
Trying to remember, I have learned, is like trying to clutch a handful of fog. Trying to forget, like trying to hold back the monsoon.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything.
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