A Quote by Susanna White
I think the biggest thing is just making sure that you do the work that you connect with, personally, and that you do work where you can really bring something to the table. It's just about being truthful to yourself.
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I used to think that the times when you don't work, you should be anxious and constantly by the phone and putting so much pressure on yourself, but I've really learned that all the experiences we have you can bring into the next job. So it's making sure your brain and body are being stimulated so you can bring something new to the next role.
My biggest thing I've learned is just putting time into getting ready. When we're young, you just go on the court and just hoop. But I think as you get older, it's more about, making sure everything is firing and making sure everything is ready to go and warmed up.
One thing I've discovered is that I never think of something that didn't work out as just "something that didn't work out." I think so often with investigative work, things that initially look like failures wind up leading to your biggest stories.
I feel like I need just to keep trying to make the work for the right reasons. I think part of that is working with really good people, and just trying to make strong truthful work. And not being diverted from that.
The important thing to remember is it's not about balance; it's about integration... to really focus on making sure you're integrating all four aspects of your work, your family, your community and yourself. And it's not about trying to spend equal amounts of time on everything you do each day on each of these things, but making sure you're paying attention to all the things that make it up as a whole human being.
You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, "Oh, just go do that thing you used to do before." But it just doesn't work like that. It's a lot more mysterious or slippery.
I have a gut reaction to stuff that I read. Either it's a filmmaker that I really want to work with, or it's a story that I really want to be a part of and help serve, or there's a character that I feel I can bring something unique to. That's really what it's about. I would go crazy, if I just relied on the same tricks and did the same thing, all the time. It was just be no fun, at all. I really do need to try something different, every time out, and do something that scares me, a little bit.
A conclusion I’ve come to at the Idler is that it starts with retreating from work but it’s really about making work into something that isn’t drudgery and slavery, and then work and life can become one thing.
Personally, I just want to work on stuff that challenges me, that excites me, and that I think is original. You want to do something that does to other people what films do to you. It's the most wonderful thing in the world when you can lose yourself from reality and go into a story, and believe it and go on that journey with people, and you have to work that will somehow do that. It won't always, but hopefully sometimes.
I think that whether you've just begun writing or whether you've been writing for fifty years - I mean, I'm excited to get there and tell you about it when I do - I think that there's always the challenge of believing in yourself enough to get the work done and not being so taken with yourself that you're unwilling to continue to work on the work.
For us it's always about making sure that there's substance, that things are well thought out, they're real, they're going to happen versus just haphazardly making Hollywood type announcements. So that's where we are there [on Comic-Con], just making sure that when we do something to say that it's something.
I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
I couldn't have asked for a better acting partner and a better human being to work with. We have to work very closely together, and I felt, in our screen test, that we had really good chemistry, but I wasn't sure if I was just making that up. Max has written a really finely wrought bromance. I have complete trust in Elijah [Wood].
I think it's important that when you're bringing something to the table that you're sure has value, that you don't diminish yourself just so that you can have an opportunity.
The great thing about chess is it's a game for oneself. You don't work on what you can't control, you just work on yourself. And I think if more people did that, we'd all be a lot better off.
More than anything, I just think about what roles I take on and make sure that it's really something that I feel passionate about if I'm going to leave home and go work.
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