A Quote by Susanne Katherina Langer
The secret of 'fusion' is the fact that the artist's eye sees in nature... an inexhaustible wealth of tension, rhythms, continuities, and contrasts which can be rendered in line and color.
Related Quotes
The initial motivation of the experiment which led to this discovery was a subconscious feeling for the inexhaustible wealth of nature, a wealth that goes far beyond the imagination of man.
In every object there is inexhaustible meaning; the eye sees in it what the eye brings means of seeing.
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
Nothing is great but the inexhaustible wealth of nature.
Rarest of all things on earth is the union in which both, by their contrasts, make harmonious their blending; each supplying the defects of the helpmate, and completing, by fusion, one strong human soul.
There is something in corruption which, like a jaundiced eye, transfers the color of itself to the object it looks upon, and sees everything stained and impure.
What line breaks add to prose prosody is a connection between eye
and ear which emphasizes the nature of the language by ... creating
units of intent and emphasis, and by contouring the meloding pitch
changes in the narrative-line.
Tidal rhythms have an effect on our physiology.... When we feel out of sorts, our body is out of sync with the body of the Universe. Spending time near the ocean, or anywhere in nature, can help us to synchronize our rhythms with nature's rhythms.
The eye through which I see God is the same eye through which God sees me; my eye and God's eye are one eye, one seeing, one knowing, one love.
The most abundant hue in nature, the human eye sees more green than any other color in the spectrumas it has throughout history, multifaceted emerald continues to sparkle and fascinate. Symbolically, emerald brings a sense of clarity, renewal and rejuvenation, which is so important in today's complex world. This powerful and universally-appealing tone translates easily to both fashion and home interiors.
The common eye sees only the outside of things, and judges by that, but the seeing eye pierces through and reads the heart and the soul, finding there capacities which the outside didn't indicate or promise, and which the other kind of eye couldn't detect.
One who knows how to appreciate color relationships, the influence of one color with another, their contrasts and dissonances, is promised an infinite variety of images.
A mediocre man copying nature will never produce a work of art, because he really looks without seeing, and though he may have noted each detail minutely, the result will be flat and without character... the artist on the contrary, sees; that is to say, his eye, grafted on his heart, reads deeply into the bosom of nature.
Sin is to a nature what blindness is to an eye. The blindness of an evil or defect which is a witness to the fact that the eye was created to see the light and, hence, the very lack of sight is the proof that the eye was meant... to be the one particularly capable of seeing the light. Were it not for this capacity, there would be no reason to think of blindness as a misforture.
The eye sees the physical body, other individuals, even insects, worms and things. It sees everything that is within its range. The body too is a thing that the eye sees, along with the rest. So, how can we conclude that the body is the I?
Contradictions of perspective. Contrasts of light. Contrasts of form. Points of view impossible to achieve in drawing and painting. Foreshortenings with a strong distortion of the objects, with a crude handling of matter. Moments altogether new, never seen before compositions whose boldness outstrips the imagination of painters Then the creation of those instants which do not exist, contrived by means of photomontage. The negative transmits altogether new stimuli to the sentient mind and eye.
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