A Quote by Susanne Wuest

There's not really genres as storytelling in Austria, unfortunately. — © Susanne Wuest
There's not really genres as storytelling in Austria, unfortunately.
The National Socialist Party in Austria never tried to hide its inclination for a greater Germany. That Austria would one day return to the Reich was a matter of course for all National Socialists and for true Germans in Austria.
I'm not really devoted or specified towards any specific genre at all. I really like it all. There's good storytelling in all the genres, you know. I just want to tell good stories and do good work.
Im not really devoted or specified towards any specific genre at all. I really like it all. Theres good storytelling in all the genres, you know. I just want to tell good stories and do good work.
Animation can be a full spectrum of different storytelling techniques and different genres. I think it's sad that there is only one audience that the studios are aiming for and that's the kid audience. It's really tragic that they don't' make films for older people.
Germany neither intends nor wishes to interfere in the internal affair of Austria, to annex Austria, or to conclude an Anschluss
You know, I'll tell who's really embraced football is Austria. Austria's really embraced football.
People create the illusion of acting natural, which is what I think most documentarians do in part because of the direct cinema orthodoxies that came into play really in the '60s. That moment of performance is a tremendous opportunity to make visible something hitherto invisible, which is how people want to be seen. How do they see themselves? What are the scripts, fantasies, genres by which they imagine themselves? How is storytelling part of what we are as human beings? We wouldn't kill each other en masse if it weren't for storytelling. We wouldn't be able to live with ourselves.
That Germany was so immensely strong and Austria so dependent upon German strength that the word and will of Germany would at the critical moment be decisive with Austria.
It was in 1590--winter. Austria was far away from the world, and asleep; it was still the Middle Ages in Austria, and promised to remain so forever. Some even set it away back centuries upon centuries and said that by the mental and spiritual clock it was still the Age of Belief in Austria. But they meant it as a compliment, not a slur, and it was so taken, and we were all proud of it. I remember it well, although I was only a boy; and I remember, too, the pleasure it gave me.
The thing that I love about working at 'GMA' the most is the storytelling - there are so many different genres on that show and themes you can cover, so it's been a lot of fun.
I think country music is really one of the biggest genres of music out there and one the most successful genres.
In effect, I was asking that if Russia mobilized against Austria, the German Government, who had been supporting the Austrian demand on Serbia, should ask Austria to consider some modification of her demands, under the threat of Russian mobilization.
I was born in Munich, and my father was stationed in Salzburg. For the first three years of my life, I lived in Austria back when the American Army was still in Austria. I grew up subsequently in posts around the country around veterans.
At the end of the 19th century and the first half of the 20th century in Austria, there was a lot of anti-Semitism. Anti-Semitism in Austria was much more pervasive than in Germany. And Austrians took to Nazi ideas and anti-Semitism much more readily than Germans did, really.
Storytelling is powerful; film particularly. We can know a lot of things intellectually, but humans really live on storytelling. Primarily with ourselves; we're all stories of our own narrative.
Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.
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