A Quote by Sushant Singh Rajput

Dibakar and Shekhar have the vision that we would associate with European cinema. They leave their actors on their own to give a personal narration on the screen. — © Sushant Singh Rajput
Dibakar and Shekhar have the vision that we would associate with European cinema. They leave their actors on their own to give a personal narration on the screen.
I would like to thank the 49 actors who appear on screen in 'Whiplash' for realizing Damien Chazelle's vision so beautifully.
I connect much more with theatre actors than with cinema actors - insofar as you can speak of 'cinema actors' in Mexico, because there isn't a big film industry.
Directors such as LV Prasad would enact the whole scene for the actors. He used to enact the scenes for Raj Kapoor too during the filming of 'Sharda.' But it was up to you to emulate the director's vision on the screen.
The European Union, which is not directly responsible to voters, provides an irresistible opportunity for European elites to seize power in order to impose their own vision on a newly socially regimented Europe.
People have a limited vision. While abroad actors such as Halle Berry have done many positive roles, we still associate short hair with negative characters.
I would go to the European institutions, I would demand for the French people four sovereignties: territorial - our borders; monetary and budgetary; economic; and legislative. Either the European Union says yes to me, or they would say no, and I would say to the French, there is no only other solution but to leave the E.U.
Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.
With American blockbuster cinema, everything is very fast, there's a lot of action and narration.
True originality consists not in a new manner but in a new vision. That new, that personal, vision is attained only by looking long enough at the object represented to make it the writer's own; and the mind which would bring this secret gem to fruition must be able to nourish it with an accumulated wealth of knowledge and experience.
The main difference I'd say is that European cinema has always used less music than American cinema for historical reasons.
Any cinema has to be entertaining. Boring cinema won't work. If you want to make one, then screen it for free on TV.
A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
Cinema is empathy machinery, and we multiply our life experience through cinema. When it is good cinema, it almost counts as a personal experience.
Advice I would give to anyone trying to find their own personal style: don't copy anybody, just be yourself, and make your own trends.
There are different cinema traditions in France, Spain and other European countries. There's a much stronger intellectual tradition: cinema is seen in a more serious way.
I don't want to be a grumpy old man or too pessimistic, because if I have a chance, I would prefer to watch a film in the cinema with an audience on a big screen instead of watching it on a cell phone. It's a very different experience, but somehow I think this form will have its own future and life.
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