A Quote by Sushmita Sen

I always imagine myself as a bride who will wear a gown, with a long train and veil. — © Sushmita Sen
I always imagine myself as a bride who will wear a gown, with a long train and veil.
There is definitely a 'red carpet moment' to a bride's wedding day, but when designing for bridal, it is important to focus on the details that will captivate and capture the imagination of the bride - she has to fall in love with the gown.
We know that listening to Black Veil Brides, wearing Black Veil Bride shirts, or being in Black Veil Brides isn't always the most popular thing in the world.
A bride at her second marriage does not wear a veil. She wants to see what she is getting.
I have nothing against the veil. And I think that, wrongly, many in the West look at the veil as a symbol of oppression. Now, as long as a woman chooses to wear the veil, because that's her belief and because of her own - that's a personal relationship with God, so she should be free to dress in whichever way she wants.
Your own gown is most delicately suitable, both to the occasion and to yourself,' to be translated: Your gown is insipid and entirely forgettable. If you wear it on every other occasion this entire season, no one will notice or care.
How cool it is to see a bride walking down the aisle with a beautiful long gown with beautiful layers of tulle and organza, unveiling their mini dress at the party?
A bride is a bride the first time around. The white dress and the white veil are symbolic. So many people are breaking the rules that people don't know what the rules are.
'Long Black Train' was inspired by a vision that I had of a long, black train running down this track way out in the middle of nowhere. I could see people standing out to the sides of this track watching this train go by. As I was walking, experiencing this vision, I kept asking myself, 'What does this vision mean and what is this train?'
Eternity doth wear upon her face the veil of time. They only see the veil, and thus they know not what they stand so near!
Shall any gazer see with mortal eyes, Or any searcher know by mortal mind; Veil upon veil will lift but there must be Veil upon veil behind.
This may be a dream, but I'll say it anyway: I was supposed to be married last year, and I bought a gown. When I meet Nelson Mandela, I shall put on this gown and have the train of it removed and put aside, and kiss the ground that he walks on and then kiss his feet.
I'd rather play a tune on a horn, but I've always felt that I didn't want to train myself. Because when you get a train, you've got to have an engine and a caboose. I think it's better to train the caboose. You train yourself, you strain yourself.
Firstly, train lots. Secondly, train hard, the harder the better, no shortcuts. They will always come back to bite you when you least expect it. And third, always remember where you come from. Your parents, family, team, coaches, are the ones who will get you to where you are and will always be there for you.
I discovered that wearing the veil is not suitable for a woman who wants to work in activism and the public domain. People need to see you, to associate and relate to you. It is not stated in my religion to wear the veil; it is a traditional practice, so I took it off.
He who reads the Bible in translation is like a man who kisses his bride through a veil.
A lot of the people I know, they don't train like that. They do a lot of quick stuff, just speed drills. But I run long distance. I've always been like that, though, even when I was in high school. That's just how I train myself.
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