A Quote by Susie Dent
In the middle of the 20th century, aspirations to sound 'proper' were passionately pursued. Dictionaries as late as the Seventies include many pronunciations that could cut the proverbial glass.
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You only had widespread literacy and books that people could afford in the middle of the 19th century. Did more people read poetry at the turn of the 20th century when there were about fifty million people?
In the 19th century, when Muslims were looking at Europe as an example, they were independent; they were more self-confident. In the early 20th century, with the fall of the Ottoman Empire, the whole Middle East was colonized. And when you have colonization, what do you have? You have anti-colonization.
In the early 20th century the monarchy was held up as the archetypical virtuous British family. In the late 20th century it became the most wonderful symbol of the complete re-engineering of family structures.
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
The mighty edifice of Government science dominated the scene in the middle of the 20th century as a Gothic cathedral dominated a 13th century landscape. The work of many hands over many years, it universally inspired admiration, wonder and fear.
Not being able to address the attribution of change in the early 20th century to my mind precludes any highly confident attribution of change in the late 20th century.
There was engrained poetry and then when you look back at our history and in the 20th century, the last century, probably the greatest writers of the 20th century were Irish. It became our only weapon, was our poetry, our music.
I think that poets can say, "What we want is for everybody on earth to wake up free from fear and with access to medicine and clean water and education." But I don't think poets have any special insight on how to get there. And the 20th century is a pretty good record of that because so many of the great poets were Stalinists: Vallejo, Neruda, Eluard, Aragon, etc. They wrote their odes to Lenin and Stalin. They glorified some of the most violent and grotesque dictatorships of the 20th century. And a lot of the ones who were not Stalinists were fascists or fascist sympathizers.
I think future generations will say the late 20th century and the early 21st century was a time of great convulsions and upheavals.
The warming we've experienced in the late 20th century could just as easily be explained by small decreases in cloud cover - natural changes in the system - and have nothing to do with CO2.
Upward mobility across classes peaked in the U.S. in the late 19th century. Most of the gains of the 20th century were achieved en masse; it wasn't so much a phenomenon of great numbers of people rising from one class to the next as it was standards of living rising sharply for all classes. You didn't have to be exceptional to rise.
D-Day represents the greatest achievement of the american people and system in the 20th century. It was the pivot point of the 20th century. It was the day on which the decision was made as to who was going to rule in this world in the second half of the 20th century. Is it going to be Nazism, is it going to be communism, or are the democracies going to prevail?
If you look at that incredible burst of fantastic characters that emerged in the late 19th century/early 20th century, you can see so many of the fears and hopes of those times embedded in those characters. Even in throwaway bits of contemporary culture you can often find some penetrating insights into the real world around us.
The ideas of [ Le Corbusier ] that actually found their way into practice were deeply destructive - for instance, the tower-in-a-park, which mutated into the vertical slums of the late 20th century.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easygoing sound and strangle the life out of it.
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