A Quote by Sussanne Khan
I'm extremely grateful for the way my career has panned out. My journey thus far has been satisfying and especially as the Style Editor for The Label Life, curating The Power Dressing Edit, knowing we are catering to the modern Indian women.
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Far from the richest rapper, but my biggest personal achievement thus far in my life has been retiring my mom early from her job at the Post Office. It's a tiny payback for the sacrifices she made that allowed me to chase a far-fetched dream of becoming a successful artist. I'm forever grateful.
Self-esteem doesn't come simply from dressing well, but they are both something we can control. It's a missed opportunity when women say they don't have the money, figure, etc., because style is such a way to help cultivate the way women feel about themselves.
I'm very grateful for the way things have panned out. If I hadn't had a struggle at the start, I wouldn't be able to appreciate every single day in this job. Whether you love or hate a job, you can't waste the chance to do something with it.
Far better to think historically, to remember the lessons of the past. Thus, far better to conceive of power as consisting in part of the knowledge of when not to use all the power you have. Far better to be one who knows that if you reserve the power not to use all your power, you will lead others far more successfully and well.
I started out pursuing an acting career out of college when I lived in Los Angeles. When I got an entry into broadcasting, I preferred it. I liked being me, rather than dressing up to be someone else. Now I'm 30 and doing a career of my own and have been in this career for eight years.
I believe that this is a part of our Indian culture, that whatever we want to do in our life, we need to be grateful and start that journey with the blessings of the Almighty.
I got an opportunity to play all kinds of women - that has been the satisfying aspect of my career.
History--the product, not the raw material--is a bottle with a label. For many years now, the emphasis of historical discussion has been laid upon the label (its iconography, its target-group of customers) and upon the interesting problems of manufacturing bottle-glass. The contents, on the other hand, are tasted in a knowing, perfunctory way and then spat out again. Only amateurs swallow them.
But for me, being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most.
For the longest time, Indian women have been okay with being curvy. But I think the modern Indian woman needs to get toned. I don't endorse being thin. Anorexia and bulimia are a reality in India because everybody wants to be thin.
As far as romancing and catering to the women, I'm definitely here for all that.
Sometimes I'm extremely afraid of the unknown, but I'm so grateful to be on that journey.
Women should be permitted to volunteer for non-combat service... We have no real way of knowing whether the kinds of training that teach men both courage and restraint would be adaptable to women or effective in a crisis. But the evidence of history and comparative studies of other species suggest that women as a fighting body might be far less amenable to the rules that prevent war from becoming a massacre and, with the use of modern weapons, that protect the survival of all humanity. That is what I meant by saying that women in combat might be too fierce.
Faith stands or falls on the truth that the future with God is more satisfying than the one promised by sin. Where this truth is embraced and God is cherished above all, the power of sin is broken. The power of sin is the power of deceit. Sin has power through promising a false future. In temptation sin comes to us and says: "The future with God on his narrow way is hard and unhappy, but the way I promise is pleasant and satisfying." The power of sin is in the power of this lie.
I've always been into dressing nicely. My dad's really into fashion, also. We'll always go out and buy stuff. He has his own style and I have my own style, but it's a shared thing. Same thing with my grandfather; he was really into his style, so it's just sort of been passed down, I think.
As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting that, I'm just aware in the back of my head what an editor might want. And also, the problems editors run into when trying to edit performances - it helps me head that off at the pass a little.
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