A Quote by Suzan DelBene

I was working in email in the early days in the late '80s, and people weren't using electronic communications at all in the way we take for granted today. — © Suzan DelBene
I was working in email in the early days in the late '80s, and people weren't using electronic communications at all in the way we take for granted today.
Email is the lowest common denominator. It's the way you get communications from one person to another. There isn't really an alternative. Sometimes people will have Facebook messenger turned on, but 99 percent of the time, if you're sending a message to a human you don't know well, you're using email.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
All the people in the late '80s and early '90s were really hell-bent on doing something for themselves, and they wouldn't take no for an answer. There was a lot of determination, and I was definitely part of that way of thinking.
In the late '80s and early '90s, I took success for granted, winning four or five tournaments a year. I just expected to win them.
When I was 8 or 9, I started using bulletin board systems, which was the precursor to the Internet, where you'd dial into... a shared system and shared computers. I've had an email address since the late '80s, when I was 8 or 9 years old, and then I got on the Internet in '93 when it was first starting out.
People don't realize enough how important and influentical John Carpenter has been in electronic music. He did his soundtracks by himself, using mostly electronic and analog synthesizers. He's a cult figure with DJs these days for good reasons.
Electronic communications networks match trades between investors directly, without using a market maker or specialist as an intermediary.
I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.
My dad was a real working musician in the late '70s and early '80s. He had a band that was signed to Elektra/Asylum and they would perform at like Madame Wong's and Whiskey A Go Go all the time.
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.
I've always loved 'lived-in' sci-fi. We take it for granted now, but it was a revelation in the late '70s - '80s, when movies like 'Alien', 'Escape From New York', and even 'Star Wars' introduced us to the idea that the future could, in fact, look old.
I've never been overexposed or in people's faces, although there are some who argue that in the late '70s and early '80s, I was played a lot!
I was heavily into AD&D in my teens (late 1970s-early 1980s) but fell off the RPG habit in the mid-80s and have never gone back to it; my lifestyle today isn't very compatible with having a regular gaming group (too much travel).
Being a guy who was a geek with tape machines in the early days and really interested in how records get made, I was inspired in particular by how the Beatles were innovating when they were making those records late in their career while using the studio in a maximal way.
Ever since we've had electronic communications, and particularly during a time of war, presidents have authorized the electronic surveillance of the enemy.
I was a product of the late '70s and early '80s, so when we think of how we're so protective of our kids now, it's sad in a way. I guess what I'm trying to say is that we limit the development of our kids in a way.
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