A Quote by Suzanne Collins

but it's not safe and I can feel him slipping away, so I just get out one more sentence. "Stay with me." As the tendrils of sleep syrup pull me down, I hear him whisper a word back but I don't catch it.
"I'm so sorry," I whisper. I lean forward and kiss him. His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip." "Hey, Gale," I say. "Thought you'd be gone by now," he says. My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble." "Me, too," Gale says. He just manages a smile before the drugs pull him back under.
Were I to go down into the market-place, armed with the powers of witchcraft, and take a peasant by the shoulders and whisper to him, 'In your lifetime, have you known peace?' wait for his answer, shake his shoulders and transform him into his father, and ask him the same question, and transform him in his turn to his father, I would never hear the word 'Yes,' if I carried my questioning of the dead back for a thousand years. I would always hear, 'No, there was fear, there were our enemies without, our rulers within, there was prison, there was torture, there was violent death.
I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race
When he'd pushed inside me and I'd feel him begin to penetrate, it had turned me into a wild thing-hot, wet, and desperate for more of him. With every kiss, every caress, every thrust, I'd just needed more. He'd touched me, I went nuts. The world dwindled down to one thing: him.
If you want to raise a man from mud and filth, do not think it is enough to stay on top and reach a helping hand down to him. You must go all the way down yourself, down into mud and filth. Then take hold of him with strong hands and pull him and yourself out into the light.
So we forgive each other?" The crooked smile climbs up one more time. "Again?" And I look right into his eyes, right into him as far as I can see, because I want him to hear me, I want him to hear me with everything I mean and feel and say. "Always," I say to him. "Every time.
I don’t want to love him—this would be so much simpler if I didn’t. But I do. He’s funny, and passionate, and strong, and he believes in me more than I even believe in myself. When he looks at me, I feel like I could take on the whole world and come out standing tall. I like myself better when I’m with him, because of how he sees me. He makes me feel beautiful and powerful, like I’m the most important thing in the world, and I don’t know how to walk away from that. I don’t know how to walk away from him.
Rich always wanted to be so close that it freaked me out. I always thought it was weak of him that he liked me so much, but then I realized that he was strong to put up with me and stay with me when I kept trying to push him away.
I remember when I fought Kevin Randleman, I was so wary about him taking me down, I figured it if he takes me down, was going to be so hard for me to get back up because he's just so good at ground and pound and keeping you on your back and it takes so much energy to get back up.
As far back as I can remember, my mother would have me down by the bed at night with her, praying. I can still hear her voice calling my name to God and telling him that she wanted me to follow him in whatever he called me to do.
Do you ever think of moving back?" "To Coldwater? Heck, no. England suits me fine. These Brits love my accent. The first time Gavin asked me out it was just to hear me talk. Lucky for him, it's one of the things I do best." All teasing left her eyes. "Too many memories back home. Can't drive down the street without thinking I see Scott in the crowd.
When I fought Montell Griffin, he quit on me, on the floor, I hit him with a soft punch and he laid down like I knocked him out, and it kinda upset me. I told him I don't care what it is, just give me the rematch. And then I really had to teach him the difference between acting like you've been knocked out, and getting hit for real.
Nobody even mentioned the word losing, losing games. We know we've been a losing franchise. He just wanted to say something back like he's always running his mouth. That's what he does. He runs his mouth all the time. Nobody was blaming him for anything. For him to come back at me was a personal attack. I feel that if there is anything that he is unsure about, tell him I would be more than happy to say it in his face, or any kind of other way, that would make him understand.
I brought Sammy inside and put him to bed. Said his prayer with him. “‘Now I lay me down to sleep…’” To me, just random noise. Gibberish. I wasn’t sure exactly what it was, but I felt that, when it came to God, there was a broken promise in there somewhere.
There's a mouse in here with me. He's sitting there in the light of the lamp, looking up at me. He seems as surprised to see me as I am to see him. There he goes. I can hear him still, scurrying about somewhere under the hayrick. I think he's gone now. I hope he comes back. I miss him already.
The boy I was crazy about was super into photography, so I weaseled my way into AP Photo to impress him and spend more time with him. He never liked me back, but I ended up spending most my senior year in the darkroom - it became a sort of safe haven for me.
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