A Quote by Suzanne Collins

How did Rue end up on that stage with nothing but the wind offering to take her place? — © Suzanne Collins
How did Rue end up on that stage with nothing but the wind offering to take her place?
But I feel as if I did know Rue, and she'll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the Mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.
Sometimes I see where I want to take the song and wind up at the end and come back to the beginning. I don't miss nothing and everything is good. Everything I thought of is incorporated in it.
The only street I like is Rue Honore de Balzac, because 'Balzac' sound so gay, and I love my gays. I might like Parisians more if they named their streets only for gay icons, like Rue Liza Minnelli or Rue Bette Midler or, my favorite, Rue McClanahan.
How like fish we are: ready, nay eager, to seize upon whatever new thing some wind of circumstance shakes down upon the river of time! And how we rue our haste, finding the gilded morsel to contain a hook!
What? she said once to herself, and then once aloud, What? She felt a total displacement, like a spinning globe brought to a sudden halt by the light touch of a finger. How did she end up here, like this? How could there have been so much - so many moments, so many people and things, so many razors and pillows, timepieces and subtle coffins - without her being aware? How did her life live itself without her?
I lost my daughter at 21. I had to give her up because I was broke, no place to take her, no money to take her. That was very traumatic.
The military alone cannot end the conflict in Afghanistan. On that much nearly everyone can agree, offering a rare island of consensus among sides otherwise divided on the question of how and when America's longest-ever war should wind down.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
Then she took my hand and touched it to the wound beside her eye. I caressed the half-inch scar. As I did so, the waves of her consciousness pulsed through my fingertips and into me - a delicate resonance of longing. Probably someone should take this girl in his arms and hold her tight, I thought. Probably someone other than me. Someone qualified to give her something. "Goodbye, Mr. Wind-Up Bird. See you again sometime.
When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
Sometimes a wind comes up, blows you off course. You’re not ready for it, but if you’re lucky, you end up in a more interesting place than you’d planned.
Electronic communities build nothing. You wind up with nothing. We are dancing animals. How beautiful it is to get up and go out and do something. We are here on Earth to fart around. Don't let anybody tell you any different.
We've always had this experience that things take long, but I'm 100% convinced that our principles will in the end prevail. No one knew how the Cold War would end at the time, but it did end. This is within our living experience... I'm surprised at how fainthearted we sometimes are and how quickly we lose courage.
How many of those who are insecure seek power over others as a compensation for inadequacy and wind up bringing consequences down upon their heads and those around them? How many hide out in their lives, resist the summons to show up, or live fugitive lives, jealous, projecting onto others, and then wonder why nothing ever really feels quite right. How many proffer compliance with the other, buying peace at the price of soul, and wind up with neither?
There's rosemary, that's for remembrance; pray you, love, remember: and there is pansies, that's for thoughts. There's fennel for you, and columbines: — there 's rue for you; and here's some for me: — we may call it, herb of grace o'Sundays: — you may wear your rue with a difference. — There's a daisy: — I would give you some violets; but they withered all, when my father died: — They say, he made a good end.
This site uses cookies to ensure you get the best experience. More info...
Got it!