A Quote by Suzanne Collins

Today I might lose both of them. I try to imagine a world where both Gale's and Peeta's voices have ceased. Hands stilled. Eyes unblinking. I'm standing over their bodies, having a last look, leaving the room where they lie. But when I open the door to step out into the world, there's only a tremendous void. A pale grey nothingness that is all my future holds.
The Void is both the source of nothingness and, at the very same time, the source of everythingness. In short, the void is the limitless context in which your entire world is both appearing and disappearing.
You are the witness of the three bodies: the gross, the subtle, and the causal, and of the three times: past, present and future, and also this void. In the story of the tenth man, when each of them counted and thought they were only nine, each one forgetting to count himself, there is a stage when they think one is missing and do not know who it is; and that corresponds to the void. We are so accustomed to the notion that all that we see around us is permanent and that we are this body, that when all this ceases to exist we imagine and fear that we also have ceased to exist.
From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy.
Even the sky was grey. Grey and grey and greyer. The whole world grey, everywhere you look, everything grey except the eyes of the bride. The eyes of the bride were brown. Big and brown and full of fear.
There comes a time when the blankness of the future is just so extreme, it's like such a black wall of nothingness. Not of bad things like a cave full of monsters and so, you're afraid of entering it. It's just nothingness, the void, emptiness and it is just horrible. It's like contemplating a future-less future and so you just want to step out of it. The monstrosity of being alive overwhelms you.
This world has seen a great many civilizations. And many of them have survived for longer periods than ours up to the present. They were all as sure as we are today of having founded the first eternal civilization. We today differ from them in having our western civilization spread to embrace the entire planet, leaving no room on any continent for any other culture to take over if we fail.
I've always thought that art is a lie, an interesting lie. And I'll sort of listen to the "lie" and try to imagine the world which makes that lie true...what that world must be like, and what would have to happen for us to get from this world to that one.
Imagine a famine. Now imagine a piece of bread. Both of these things are real but you happen to be in the same room with only one of them. Put yourself into a different room, that’s what the mind is for.
I can't help comparing what I have with Gale to what I'm pretending to have with Peeta. How I never question Gale's motives while I do nothing but doubt the latter's. It's not a fair comparison really. Gale and I were thrown together by a mutual need to survive. Peeta and I know the other's survival means our own death. How do you sidestep that?
This is where the story starts, in this threadbare room. The walls are exploding. The windows have turned into telescopes. Moon and stars are magnified in this room. The sun hangs over the mantelpiece. I stretch out my hand and reach the corners of the world. The world is bundled up in this room. Beyond the door, where the river is, where the roads are, we shall be. We can take the world with us when we go and sling the sun under your arm. Hurry now, it's getting late. I don't know if this is a happy ending but here we are let loose in open fields.
Take a look at those two open hands of yours. They are tools with which to serve, make friends, and reach out for the best in life. Open hands open the way to achievement put them to work today.
You must always look with both of your eyes and listen with both of your ears. He says this is a very big world and there are many many things you could miss if you are not careful. There are remarkable things all the time, right in front of us, but our eyes have like the clouds over the sun and our lives are paler and poorer if we do not see them for what they are. If nobody speaks of remarkable things, how can they be called remarkable?
I was silver-white by the time I was 35, but having grey hair makes me look washed out. My wife and son have both said that grey hair doesn't suit me because I have a boyish face.
We have conferred a mystic popularity upon officials whose only virtue is their timidity; while our scorn of rebels and reformers is so great that we have ceased to persecute them. The capitals and governments of the world are in the hands of caution; and change comes over them only in the night, unseen.
Remember, grab you're future with both hands and mold it into what you want it to be. It's the determined, who create the life they want, while the idle sit by and watch it fade away into nothingness. The future belongs to the exceptional individuals, who can see the light of the future, at the end of the tunnel.
I wish Peeta were here to hold me, until I remember I'm not supposed to wish that anymore. I have chosen Gale and the rebellion, and a future with Peeta is the Capitol's design, not mine.
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