A Quote by Suzanne Collins

Everything is happening too fast for me to process it. — © Suzanne Collins
Everything is happening too fast for me to process it.
There's a process to everything. If you fast track or make shortcuts in any way, and you get too much of one thing, you're just out of balance.
When you start a company everything is going to feel like a mess. And it really should. If you have too much process, too much predictability, you are probably not innovating fast enough and creatively enough.
Because TV is mostly close up, it has to be fast. And because it has to be fast, you don't have time to explain completely, by a sequence shot, what's happening between people. So instead of experiencing what's happening, say, when a couple is dancing, dialogue is used to explain.
It's all happening too fast. I've got to put the brakes on or I'll smack into something.
The rise of King Crimson was so fast that, to me, it felt as if it was going out of control. And it was going so fast that I couldn't keep up with what was happening.
I just feel like every kid is growing up too fast and they're seeing too much. Everything is about sex, and that's fine for me. I'm not saying I don't like it. But I don't think it should be everywhere, where kids are exposed to everything sexual. Because they have to have some innocence; there's just no innocence left.
We ask these young girls to grow up too fast. In the society where they grow up, they are asked to grow up too fast, and everything pushes them in that direction. The media creates pressure.
I hated the blog hype and how fast everything was happening. It didn't feel natural to me. But at the same time, what's more natural than thousands of people sharing your music because they just really like it?
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars....But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Everything previously moving with the grain is now against-you are irritable, angry, frightened, uncontrollable....It will never end, for madness carves its own reality.
Being part of what I call the "click" generation - where everything has to be fast and revolutionary and you just want more, and it's about likes and consuming - I want to bring new things to the table. A lot of designers say they're scared or overwhelmed because everything moves so quickly now. I think it would be scarier if it was too slow. I want to go fast.
Speed is a part of me. I think I was born with that, and nowadays a fast player, I need a fast car, too.
I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way. During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.
The tempo is the suitcase. If the suitcase is too small, everything is completely wrinkled. If the tempo is too fast, everything becomes so scrambled you can't understand it.
Society is fast - fast food, fast cars, fast everything.
My mistakes are always around moving too slow or moving too fast without process behind it. And it's something that, if we're not careful, we'll repeat again and again.
At 16, 19, 20, you're just kinda going along with whatever's happening. You're not as proactive as you become when you're older. And particularly, something like fame that's happening so quickly - the requests are coming so quickly for you to do interviews or photo shoots, or you're getting work opportunities or whatever, it's happening so fast.
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