A Quote by Suzanne Collins
One night, I was lying in bed, and I was channel surfing between reality TV programs and actual war coverage. On one channel, there's a group of young people competing for I don't even know; and on the next, there's a group of young people fighting in an actual war. I was really tired, and the lines between these stories started to blur in a very unsettling way. That's the moment when Katniss's story came to me.
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Both the 'Gregor' series and 'The Hunger Games' are what I call lightning-bolt ideas. There was a moment where the idea came to me. With 'The Hunger Games,' the lightning bolt sort of hit at a moment when I was channel surfing between reality TV and the coverage of the Iraq war.
One big, glaring difference I can think of between Iraq and Vietnam is the news coverage. During the Vietnam War era, you had TV coverage of the war saturating the airwaves every night, and that coverage wasn't put through a military filter at all.
These days, young people watch TV on smartphones and computers. Young people with an actual TV set are harder to find than a picture of Anthony Weiner with his clothes on.
I find it amazing that the only group of people who are not fighting and not killing and not pillaging and not burning and not raping, and the group of people who are mostly — though not exclusively — who are keeping life going in the midst of war, are not included in the negotiating table.
I'm interested in the ongoing war between the individual and community. That inner dissent against whatever group is surrounding you. No one wants to cede their selfhood to a group, right? And yet no one can exactly live outside the group, either. Even the most obstinate survivalist probably lives in some telepathic communion with all the other obstinate survivalists out there in the woods.
It seems that, culturally, young people function more in groups. They know each other through digital media. All the young comedy people who work in TV are really used to working at the table with lots of writers around. They're comfortable in the group; they don't assert their own egos over everyone else.
They have an amazing proliferation of TV channels now: The all-cartoon channel, the 24-hour-science fiction channel. Of course, to make room for these they got rid of the Literacy Channel and the What's Left of Civilization Channel.
At 24 I was a wannabe. I was not a 'former TV presenter' as everybody says - I was a young girl living on a wish, appearing on the roulette channel at 1 am and selling cordless kettles on Channel 953.
And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe.
The world is in such a mess because of the continuous conflict that arises between human beings - not only between individuals but between tribes and nations and this group and that group and so on. But change can come in only when people start with themselves.
Even very recently, the elders could say: 'You know, I have been young and you never have been old.' But today's young people can reply: 'You never have been young in the world I am young in, and you never can be.' ... the older generation will never see repeated in the lives of young people their own unprecedented experience of sequentially emerging change. This break between generations is wholly new: it is planetary and universal.
There is no war between Muslims and Americans. There is no war between Americans and the poor people in the world. There is only a war between people on the top who have their own agenda.
People say the war in Iraq is a bad war, and the war in Afghanistan is a good war, but what's the difference between them? Democratic people around the world cannot accept that this is a good war. This is just endless war.
You've got the people you know, which are problematic. Always. They're rich but they're also real people living their lives alongside you. Then you've got the people that you make-up completely, who are often missing a dimension if they don't have some reference to real people. So strangers exist in this in-between space, where in not knowing them, you are creating a fiction for them, even in passing, but at the same time, there they are, with their actual bodies and their actual clothes. It's totally enticing.
War in its essence is another form of capitalism. Wars make people rich - and they make a lot of people poor, and they take a lot of people's lives away from them. So much of the war that is happening is the attempt of one group to snatch the resources of another group.
Reality TV now doesn't feel reality TV when it started. The line between reality and fiction is blurred. So many of these people are phony or shallow, in their own right. If you've ever watched any of The Real Housewives, or those types of shows, they're all performing. Even though they're real people, they're performing.
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