A Quote by Suzanne Collins

He hates me more," says Peeta. "I don't think people in general are his sort of thing. — © Suzanne Collins
He hates me more," says Peeta. "I don't think people in general are his sort of thing.
Tomorrow's a hunting day," I say. "I won't be much of a help with that," Peeta says. "I've never hunted before." "I'll kill and you cook," I say. "And you can always gather." "I wish there was some sort of bread bush out there," says Peeta.
Finnick:" Good to see you, Peeta." Peeta:" You be nice to her, Finnick. Or I might try and take her away from you." It could be a joke, if the tone wasn't so cold. Everything it conveys is wrong. The open distrust of Finnick, the implication that Peeta has his eye on Annie, that Annie could desert Finnick, that I do not even exist. Finnick:"Oh Peeta," says Finnick lightly. "Don't make me sorry I restarted your heart.
So, here’s what you do. You win, you go home. She can’t turn you down then, eh?” says Caesar encouragingly. “I don’t think it’s going to work out. Winning…won’t help in my case,” says Peeta. “Why ever not?” says Caesar, mystified. Peeta blushes beet red and stammers out. “Because…because…she came here with me.
It's a long shot, it's suicide maybe, but I do the only thing I can think of. I lean in and kiss Peeta full on the mouth. His whole body starts shuddering, but I keep my lips pressed to his until I have to come up for air. My hands slide up his wrists to clasp his. "Don't let him take you from me." Peeta's panting hard as he fights the nightmares raging his head. "No. I don't want to. . ." I clench his hands to the point of pain. "Stay with me." His pupils contract to pinpoints, dilate again rapidly, and then return to something resembling normalcy. "Always," he murmurs.
You'd have thought we planned it," says Peeta, giving me just the hint of a smile. "Didn't you?" asks Portia. Her fingers press her eyelids closed as if she's warding off a very bright light. "No," I say looking at Peeta with a new sense of apreciation. "Neither of us even knew what we were going to do before we went in." "And Haymitch?" says Peeta. "We decided we don't want any other allies in the arena." "Good. Then I won't be responsible for you killing off any of my friends with your stupidity," he says.
Hey, Effie, watch this!" says Peeta. He tosses his fork over his shoulder and literally licks his plate clean whit his tongue making loud, satisfied sounds. Then he blows a kiss out to her in general and calls, "We miss you, Effie!
But I have to confess, I'm glad you two had at least a few months of happiness together." I'm not glad," says Peeta. "I wish we had waited until the whole thing was done officially." This takes even Caesar aback. "Surely even a brief time is better than no time?" Maybe I'd think that, too, Caesar," says Peeta bitterly, "If it weren't for the baby.
I know we promised Haymitch, we'd do exactly what they said, but I don't think he considered this angle.' 'Where is Haymitch, anyway? Isn't he supposed to protect us from this sort of thing?' says Peeta. 'With all that alcohol in him, it's probably not advisable to have him around an open flame,' I say.
Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.” “Or what?” I ask. “Or . . . or . . .” He can’t think of anything good. “Just give me a minute.
I'm relieved Peeta's alive. I tell myself again that if I get killed, his winnings will benefit my mother and Prim the most. This is what I tell myself to explain the conflicting emotions that arise when I think of Peeta. The gratitude that he game an edge by professing his love for me in the interview. The anger at his superiority on the roof. The dread that we may come face-to-face at any moment in this arena.
That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you on fire," says Peeta. "On the other hand, Haymitch... well, if I were you, I'd avoid Haymitch completely. He hates you.
Nothing so uncertain as general reputation. A man injures me from humor, passion, or interest; hates me because he has injured me; and speaks ill of me because he hates me.
Finally, Peeta turns to Pollux. "Well, then you just became our most valuable asset." Castor laughs and Pollux manages a smile. We're halfway down the first tunnel when I realize what was so remarkable about that exchange. Peeta sounded like his old self, the one who could always think of the right thing to say when nobody else could... I glance back at him as he trudges along under his guards, Gale and Jackson, his eyes fixed on the ground, his shoulders hunched forward. So dispirited. But for a moment, he was really here.
"Katniss?" He drops my hand and I take a step, as if to catch my balance. "It was all for the Games," Peeta says. "How you acted." "Not all of it," I say, tightly holding onto my flowers. "Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says. "I don't know. The closer we get to District Twelve, the more confused I get," I say. He waits, for further explanation, but none's forthcoming. "Well, let me know when you work it out," he says, and the pain in his voice is palpable.
There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.
Peeta, how come I never know when you're having a nightmare?” I say. “I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says. “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down. “It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.
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