A Quote by Suzanne Collins
And once we reach the city, my stylist will dictate my look for the opening ceremonies tonight anyway. I just hope I get one who doesn't think nudity is the last word in fashion.
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And then Gossip Girl completely blew open the door to fashion for me. I'd go to fashion shows and call my publicist and say, 'Can I wear that?' I think I became my own stylist by not knowing any better. And once I was told it was time to get one, I thought: This is one of my favorite hobbies! And I'm going to pay someone to steal my hobby from me? That's a terrible idea!
I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.
I'm interested in every aspect of fashion. I think it's in my bones. When I was younger I used to be my mum's stylist, picking things out for her to wear. I'd say to her, 'If anybody asks you who styled you tonight say, 'Georgia.'
I always loved the look of musicians. I've always admired them because they have a look - when I was growing up, it seemed that the ones I liked didn't need to have a stylist. Now there is this trend where everyone has a stylist, or follows the suggestions of a stylist, from designers on down.
Male nudity, full-frontal nudity, has always been considered a lot more taboo than female nudity. As far back as I can remember, there's been a double standard between men and women. I think it's time that men get equal time in terms of nudity.
I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody's dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
Once you get everything out of your head about what everybody else is going to think, will radio play it - and I hope they do, I really do - once you shed all of that and just be who you are, that's who I am. That's taken a lot of growing up. I've come into myself musically and as a woman, and I hope to keep growing. If you don't grow, you die.
Once you establish a look, and once everybody recognizes that look as your look, you never have to think about fashion again.
As a high-fashion model, I have long had a policy of no nudity or partial nudity in my photo shoots.
So many people feel that once you reach a certain age then it's time for you to retire from a sport you love. I don't think that's true at all. I think age should not dictate that.
We're resolved tonight that young Americans will always see those Potomac lights, that they will always find here a city of hope in a country that's free so that when other generations look back at this conservative era in American politics and our time in power, they'll say of us that we did hold true to that dream of Joseph Winthrop and Joseph Warren, that we did keep faith with our God, that we did act worthy of ourselves, that we did protect and pass on lovingly that shining city on a hill.
For me, the power of the poetry in 'Milk and Honey' is the feeling you get after finished reading the poem. It's the emotion you feel once you've read the last word, and that is only possible when the diction is easy, and you don't get stuck on every other word, you don't know what the word means.
I sit on the steps in the heat of the sun and listen as one by one these car alarms extinguish themselves until once more only the muted roar of the city is audible, and the city, bathed in sunlight, once again resumes dreaming its collective dream. Cars roll down the city's roads, plants grow from its soil, wealth is generated in its rooms, hope is created and lost and recreated in the minds and souls of its inhabitants, and the city continues its dream and searches for those ideas that will make it strong.
When you are on a major record label, you're just forced to think big. You are forced to think about things like "how many radio spins did we get this week?" or "how many albums did we sell across the country. Being independent, you are just focused on the city that you are playing in tonight. How many people can I meet and become friends with tonight. That's one of the great things about being an independent artist.
As you see the opening get closer, you just can't get fast enough. And finally, just when you think you'll never get there, you see the opening right in front of you.
Books. They are lined up on shelves or stacked on a table. There they are wrapped up in there jackets, lines of neat print on nicely bound pages. They look like such orderly, static things. Then you, the reader come along. You open the book jacket, and it can be like opening the gates to an unknown city, or opening the lid of a treasure chest. You read the first word and you're off on a journy of exploration and discovery.
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