A Quote by Suzanne Collins

I don't write about adolescence. I write about war. For adolescents. — © Suzanne Collins
I don't write about adolescence. I write about war. For adolescents.
Then somebody suggested I should write about the war, and I said I didn't know anything about the war. I did not understand anything about it. I didn't see how I could write it.
Then somebody suggested I should write about the war, and I said I didn't know anything about the war. I did not understand anything about it. I didn't see how I could write it
The bigger the issue, the smaller you write. Remember that. You don't write about the horrors of war. No. You write about a kid's burnt socks lying on the road. You pick the smallest manageable part of the big thing, and you work off the resonance.
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
If you're going to write about war, which my books are about, wars are nasty things. I think it's sort of a cheap, easy way out to write a war story in which no one ultimately dies.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
You don't write about the horrors of war. No. You write about a kid's burnt socks lying in the road.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
To be a good reporter, writing about war, you have to write about the people. It's not about the tanks or the RPGs or military strategy. It's always about the effect war has on civilians, on society, and how it disrupts and destroys lives.
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
I'm very selective about what I write about, and whom I write about, and how much I write about somebody.
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
People say, write what you know, but it's really, write about what obsesses you. Write about what you're thinking about all the time.
You can write about a country without taking a stand, but you cannot write about a country without noting that there's history, and that there's politics going on. To me, that's the same if you write about America. You don't have to write about politics, but the politics have to be present in the characters.
I write and speak about personal and spiritual growth. One week I write about illness and another week I speak about relationships and another week I write about work and money and another week I speak to people with obesity issues. I write about whatever wounds seem to cry out for more enlightened solutions, and the love that heals them all.
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