A Quote by Suzanne Curchod
Order in a house ought to be like the machinery in opera, whose effect produces great pleasure, but whose ends must be hid.
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Whose leadership, whose judgment, whose values do you want in the White House when that lands like a thud on the oval office desk?
Whose leadership, whose judgment, whose values do you want in the White House when that crisis lands like a thud on the Oval Office desk?
O lust, thou infernal fire, whose fuel is gluttony; whose flame is pride, whose sparkles are wanton words; whose smoke is infamy; whose ashes are uncleanness; whose end is hell.
There is no dealing with great sorrow as if it were under the control of our wills. It is a terrible phenomenon, whose laws we must study, and to whose conditions we must submit, if we would mitigate it.
Human beings are of two classes: those whose work is work and whose pleasure is pleasure; and those whose work and pleasure are one.
I venerate the man whose heart is warm, Whose hands are pure, whose doctrine and whose life, Coincident, exhibit lucid proof That he is honest in the sacred cause.
Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.
By these things examine thyself. By whose rules am I acting; in whose name; in whose strength; in whose glory? What faith, humility, self-denial, and love of God and to man have there been in all my actions?
There might be a class of beings, human once, but now to humanity invisible, for whose scrutiny, and for whose refined appreciation of the beautiful, more especially than for our own, had been set in order by God the great landscape-garden of the whole earth.
Although I have no objection to accepting the existence of relatively constant psychic contents that survive personal ego, it must always be born in mind that we have no way of knowing what these contents are actually like "as such." All we can observe is their effect on other living people, whose spiritual level and whose personal unconscious crucially influence the way these contents actually manifest themselves.
The body is the soul's poor house or home, whose ribs the laths are and whose flesh the loam.
Whose hearts must I break? What lies must I maintain? - Through whose blood am I to wade ?
Pernicious weed! whose scent the fair annoys, Unfriendly to society's chief joys: Thy worst effect is banishing for hours The sex whose presence civilizes ours.
Freemasonry is an order whose leading star is philanthropy and whose principles inculcate an unceasing devotion to the cause of virtue and morality.
What makes power hold good, what makes it accepted, is simply the fact that it doesn't only weigh on us as a force that says no, but that it traverses and produces things, it induces pleasure, forms knowledge, produces discourse. It needs to be considered as a productive network which runs through the whole social body, much more than as a negative instance whose function is repression
I now bid farewell to the country of my birth - of my passions - of my death; a country whose misfortunes have invoked my sympathies - whose factions I sought to quell - whose intelligence I prompted to a lofty aim - whose freedom has been my fatal dream.
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