A Quote by Suzanne Farrell

I set as my goal to be the best dancer I could be. Not the most famous, or the highest paid dancer, just the best I could be. Out of this discipline came great freedom and calm.
I also had a will that let me eliminate everything that stood in the way of my becoming the best dancer I could be. By a gradual process... (I) had invested every bit of my dreams, my hopes, my energies in defining myself as a dancer.
My goal is to be the best TV presenter, the best entertainer, the best singer. I still want to be the best dancer. I want to be the best at everything I do.
I didn't know if I could act, but I knew I could be a great ballet dancer, and Balanchine put out the carpet for me.
I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer.
If I had an extra 20 or 50 years physically, I could have been the dancer of my dreams. But I never became that dancer.
A good dancer is not necessarily defined by great technique, skill, or ability to pick up choreography but by confidence. When you feel the music, it penetrates to your soul. Everybody's a dancer. The greatest dancer is someone who is willing to dance, not afraid.
I grew up in a very musical household. There was music and dance. My great-grandma was a famous tap dancer in the '40s, my mom was a dancer, she met my dad on the road when he was on tour in the '60s. Music is my heart and soul, it's my love.
I prefer musicals, because I am the best dancer who ever lived. The best plies, the best sashays, and by far the best-smelling Capezios.
For me, I'm a dancer first. I could be the President of the United States, and I will always be a dancer, first and foremost.
My goal was to become the best dancer in the world and, because I started late, I always had this feeling I was playing catch-up, so I've been a bit of a maniac most of my life, sort of striving.
Freedom to a dancer means discipline. That is what technique is for -- liberation.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.
Maybe its a generational thing, but I never wanted to be the best black dancer in the world. I just wanted to be the best.
Maybe it's a generational thing, but I never wanted to be the best black dancer in the world. I just wanted to be the best.
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