A Quote by Suzanne Farrell
When you are on stage in front of an audience, you want to engage the entire crowd. If a thousand people are in the theater, you need to dance a thousand different ways, not one-thousandth of a way.
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Typically, in a live-action format, when you watch a wrestling show, you've got wrestlers in a ring in front of a thousand, five thousand, ten thousand people, and they're playing to large crowd, so you never really get that intimate, close and personal dialogue with them.
If there would be a recipe for a poem, these would be the ingredients: word sounds, rhythm, description, feeling, memory, rhyme, and imagination. They can be put together a thousand different ways, a thousand, thousand...more.
When I'm doing a set as an artist I'm right in front of the stage the entire time, interacting with the crowd. The DJ set's a little different but they both are great and high energy for the crowd.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
There's nothing more vulnerable than just standing in front of a thousand people, or ten thousand people, and doing your best to entertain them, touch them in some way.
Leaders set a very clear path every day, in a thousand different ways, of what the people must attend to, inhibit, and keep it current in front of them.
Growing up, I was a target. Speaking the right way, standing the right way, holding your wrist the right way. Every day was a test, and there were a thousand ways to fail, a thousand ways to betray yourself, to not live up to someone else's standards of what was accepted, of what was normal.
There are a thousand ways to kneel and kiss the ground; there are a thousand ways to go home again.
A day to God is a thousand years,
Men walk around with a thousand fears.
The true joy of love brings a thousand tears,
In the world of desire, there's a thousand snares.
A book read by a thousand different people is a thousand different books.
If you're playing live, I like to think of the ensemble, whether it's the duet or a forty piece orchestra, as one person. And the entire audience, whether it's twelve people or twelve thousand at Madison Square Garden, is the other person. The two of you are going to dance together tonight.
In Zen we classify ten thousand different states of mind, different ways of seeing life. There is something beyond the ten thousand states of mind that we call nirvana.
A year. A thousand kisses. And now a thousand one, a thousand two. There are so many other place we could have ended up, but I have to believe none of them would have felt this right. "All I want is you" is not entirely true. I want so much more, and with you I think I can get it.
I've studied theater since high school. Of course, it's a different story altogether being on Broadway, but it's still theater, and you have to be in front of a live audience, and that's very exciting. It's something I've definitely wanted to do, but I got involved in movies and television, and then it became a luxury to get back on the stage.
I loved playing sport at school in front of a crowd; I love being on stage in front of a big audience. I buzz off that.
Performing onstage is all about reacting in a grand way. You're playing an arena of seventeen or eighteen thousand people and it's your job to make sure the person at the back feels as cool as the person all the way in the front. Being on stage is a bit of a façade. You get to walk out there and be the coolest version of yourself that you could possibly have imagined and then you come off stage and you're just like everyone else.
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