A Quote by Suzanne Farrell
I had a wonderful childhood, coming from Cincinnati, and I think that it was great going into the life that I was going to have, where you have to start young as a dancer.
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But you do have to start young as a dancer if you're going to achieve the physical skills necessary.
In order to dance professionally, you have to start at a young age. No matter what, your muscle structure and your bones have to be groomed from a very young age. Nobody wakes up at 17 and decides to become a ballet dancer. I'm saying that and someone's going to be born tomorrow who decides to do that and I'm going to have my foot in my mouth.
That's why I think death is the most wonderful invention of life. It purges the system of these old models that are obsolete. I think that's one of Apple's challenges, really. When two young people walk in with the next thing, are we going to embrace it and say this is fantastic? Are you going to be willing to drop our models, or are we going to explain it away? I think we'll do better, because we're completely aware of it and we make it a priority.
I think it is going to be wonderful. I went to the Paralympics in Beijing and have seen how brilliant the sport is at first hand. People are going to love it. It is going to change people's attitudes to Paralympians and it is going to be a great show.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
I just knew that was what I wanted to do. I was going to perform as a singer; I was going to perform as a dancer, and I was, you know, going to do movies and be an actress. I was going to do it or die trying. That's what my life was.
I just knew that was what I wanted to do. I was going to perform as a singer; I was going to perform as a dancer, and I was, you know, going to do movies and be an actress. I was going to do it or die trying. That's what my life was
I didn't think at all as a young child that music would be my profession. It was just something that one did along with going to Brownies or going to church or going to school or anything else that one did in sort of one's very young life.
That excites me, working with really excellent people, be it wonderful directors or actors or cinematographers and especially writers. My work life is going to a set and having these great experiences and coming home shifted by them.
I had the good fortune to be raised in the 1940s and the 1950s. As I entered business in the late 1950s and 1960s, America was just coming into its own as a great industrial power. It allowed young entrepreneurs to start their engines, to start their businesses, to borrow a little money and to leverage what they had.
I didn't have a childhood, really, because I worked my whole life and... other reasons. So when I had some success, I went ballistic. That was my childhood, and the party kept going on.
It's a great place to be at 36 because you're an adult and you're responsible for how you impact other people, the direction of your own life [too], but you're also young enough to say, "You know what? I'm not sure of where I'm at, and I'm going to change that course and do something different. I'm going to look at life differently." I think that's the magic of that age.
I have great childhood memories cow-tipping, going off and getting lost in the bog for hours, and coming home covered in dirt.
With "Margaret," I remember clearly it was, you know because I did remember it clearly. I was young. I was young in terms of experience and what did I know about and I had an incredible memory from my own childhood. And so it never occurred to me to write for any other age group. And I thought I'm going to write a book and I'm going to tell the truth.
My memoir is a story of family and childhood, and everyone has had one of those. Mine is not the definitive version of childhood, but it's a great way to start a conversation.
I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.
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