A Quote by Suzanne Farrell
As soon as I hear music, something in me starts to vibrate.
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When children listen to music, they don't just listen. They melt into the melody and flow with the rhythm. Something inside starts to unfold its wings - soon the child and the music are one.
Music draws me in. As soon as I hear it, I'm there. I'm stuck in it.
All songs have those X factors. I couldn't even explain or describe what will grab me about them but it's all music that I'm usually listening to. I'm always looking there to hear new music and see what's going on so that's usually when I'll hear something and be like "Wow, that melody is really crazy.
As soon as my brain starts working on reading a book, my dreams get a little more exciting, and music comes a little more naturally for me.
All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours.
My husband is a composer, so he plays piano all the time and I sit there and clap telling my unborn child, 'Hear me clap, hear the music.' I know music, in general, is supposed to be good for babies to hear.
I think people who vibrate at the same frequency, vibrate toward each other. They call it - in science - sympathetic vibrations.
When you have a heartfelt belly laugh, all parts of your being - the physiological, the pyschological, the spiritual - they all vibrate in one single tune. They all vibrate in harmony!
Conception of a film starts with the music. Always. I hear the movie before I can ever write it. I would say that 80% of the time, that's the successful stuff. It's the other stuff I have to work for to get right, and sometimes it doesn't work out, but the music is always the beginning. So I'm still a music journalist.
There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: "Maybe I'll make my own version of that track or maybe I'll do this or that." When I'm off I just don't want to hear anything.
When you hear something that's not correct, it really starts to irk someone.
It's always interesting to me that we all hear music differently. It's an awesome experience to hear what other people hear.
When I hear music, my body just starts to move. It has nothing to do with training or anything. That's just me. That's just my body. And I was like that as a child, too.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
I do hear snippets on the radio. I do hear a little bit of me, sometimes great chunks of me. But I have to take that as a compliment; there's no way you can get sour grapes about that. But if somebody starts taking your whole new thing lock, stock, and barrel, and do their own version of it before you do it, that's not on.
It felt like something was calling me to Israel, and that I had to go there to discover it. I don't know how else to explain it. In my head, I was thinking it was something about music, something I needed to hear. So I booked a plane ticket and left the next day.
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