A Quote by Suzanne Lacy

Potential audiences are real people found in real places. — © Suzanne Lacy
Potential audiences are real people found in real places.
I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy', because I think we all have potential to do good things and all have the potential to do bad things.
I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy,' because I think we all have potential to do good things and all have the potential to do bad things.
I think audiences are really thirsty for real shows about real people in any circumstances.
What are these barriers that keep people from reaching anywhere near their real potential? The answer to that can be found in another question and that's this: Which is the most universal human characteristic: fear, or laziness?
When the going gets tough, the leeches are nowhere to be found, but the real people - the real friends - are with you through thick and thin.
Life is lived in real places, and I shoot in real places.
Real people had real agendas, real demands, real expectations about how other people should behave.
If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.
If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.
With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Wisdom: The first error is that of the southern people, and it consists in holding that these eastern and western places are real places. Give no quarter to that thought, whether it threatens you with fear, or tempts you with hopes. For this is Superstition and all who believe it will come in the end to the swamps, to the south and the jungles, to the far south. Part of the same error is to think that the Landlord is a real man.
But your book is wrong, Mrs. Strunk, says George, when it tells you that Jim is the substitute I found for a real son, a real kid brother, a real husband, a real wife. Jim wasn't a substitute for anything. And there is no substitute for Jim, if you'll forgive my saying so, anywhere.
...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.
When you're working opposite Halle Berry, you're going to get a lot. So you have to give a lot. That said, what I've found striking in the past few days is that people are aware of a good chemistry that exists between us on screen. If that's so, it's due to the fact that she and I have a real liking for each other in real life and a real mutual respect.
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