A Quote by Suzanne Somers
I understood something way back when I was on 'Three's Company.' When I got the part, I was flat broke. I was so happy to get the part, but I kept thinking, 'Ugh - dumb blondes are so irritating; how do I make her likable?' I think that I achieved that. It took a while for people to realize I was acting.
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I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.
I remember when I got the part in Gentlemen Prefer Blondes. Jane Russell - she was the brunette in it and I was the blonde. She got $200,000 for it, and I got my $500 a week, but that to me was, you know, considerable. She, by the way, was quite wonderful to me. The only thing was I couldn't get a dressing room. Finally, I really got to this kind of level and I said, "Look, after all, I am the blonde, and it is Gentlemen Prefer Blondes!" Because still they always kept saying, "Remember, you're not a star." I said, "Well, whatever I am, I am the blonde!
I think I didn't know whether I wanted to keep acting deep into my career. I kept trying to see if I would be able to do it well enough to make that part of my destiny or part of what I was supposed to do.
The worst part about loving someone, Merripen, is that there will always be things you can't protect her from. Things beyond your control. You finally realize there is something worse than dying . . . and that is having something happen to her. You have to live with that fear always. But you have to take the bad part, if you want the good part." Kev looked at him bleakly. "What's the good part?" A smile touched Cam's lips. "All the rest of it is the good part," he said, and went.
Actually way back when Abhishek and I were just co-actors, I kept telling him 'let's be a part of a troupe and go on a world tour'. And he kept on saying 'It's not the right time'. But I never thought that my wish will be fulfilled in such a grand way and that we will be part of the team as man and wife.
I got blessed from my mom. She's the personality; she's the one who smiled, so I took on part of her, and who also wanted to help and save the world. Then I took on part of my dad, who is tough.
I realize I got to where I am because people took the time to invest in me and make sacrifices and hopefully I can pay that forward and try to my part to help somebody else.
Think of it this way: If you got a flat tire, what would you do? Change the tire? Or get out of the car and slash the other three tires? No! Get back on the road. Don't dwell on it; don't beat yourself up. That gets you nowhere.
There's this thing in Hollywood about the sympathetic character and likability. I've never understood that because the people I love most in my life are not likable all the time. My wife is not always likable. I'm certainly not always likable. My dad is not always likable. We're human beings.
Part One: I do not exist to impress the world. I exist to live my life in a way that will make me happy. Part Two: Everybody else is free to do whatever they feel like doing, for a living. Part Three: Responsible is Able to Respond, able to answer for the way we choose to live. There's only one person we have to answer to, of course, and that is ourselves.
I think miracles exist in part as gifts and in part as clues that there is something beyond the flat world we see.
People create the illusion of acting natural, which is what I think most documentarians do in part because of the direct cinema orthodoxies that came into play really in the '60s. That moment of performance is a tremendous opportunity to make visible something hitherto invisible, which is how people want to be seen. How do they see themselves? What are the scripts, fantasies, genres by which they imagine themselves? How is storytelling part of what we are as human beings? We wouldn't kill each other en masse if it weren't for storytelling. We wouldn't be able to live with ourselves.
Well, when you get into the business, what you have to realize is that signing autographs and getting 'bothered' is just part of the deal. It's not a bother to me at all. That's part of being an actor and that's something you have to realize before you ever get into this business.
I don't think I understood how deep the Big East was. That was probably something I wasn't prepared for. It's not easy to part rank and make the first step into the middle of the pack.
Songs start with my bringing in the basic riffs for what you might call a verse and a chorus, an A and a B part...whatever. And sometimes a C and even a D. That's kind of the easy, or at least easier part. The hard part is finding that special, perfect way to order things - how many times to do A before B and back and how the second verse differs from the first. That's all we got.
I had met a lady there by the name of Laura Ziffren.She heard that I got signed to Virgin and reached out to my management company. They needed a kid to sing that part in the movie, and she remembered me, and her people reached out to my people, and I went and auditioned, and I got the part [in Romeo + Juliet].
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