A Quote by Suzanne Vega
That said, I've never thought the fact that I'm a woman was important to my work.
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The fact that I'm a woman is as important to my work as a poet as the fact that Ahmad Sh?mlu was a man was important to his work as a poet. Basically, gender shouldn't be viewed as an advantage in art. If a poem or a piece of writing is good, what difference does it make whether it's by a woman or a man? And, if it's bad, why should its writer's gender make it good?
Two years ago I hadn't even thought of the Woman in White, and I was doing a television show and I said I hadn't found a story and the next day somebody rang me and said have you ever thought of the Woman in White.
With representation there to do the speaking, the guilty are suddenly given the freedom that comes with hiding behind the fact that they never said that - in fact, they never said anything!
It seems to me that the fact that I am a woman is a bigger issue than the fact that I'm from the East. For me it isn't really important. I've only ever known myself as a woman.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
I remember my father, when I said I was going down to Little Rock to work for Governor Clinton's run for president, he thought maybe somebody needed to check the medication cabinet. He thought somebody was playing around with it. He had never heard of him, he said. I said, 'Well, I think he's going to be the next President of the United States.'
Quite honestly, even as a woman dealer, I really wasn't interested in masculinity or femininity as such. What was important to me was the value of the work itself. If a woman had come along, somebody like Lee Bontecou or Louise Nevelson, and said, "I'm working on the land," I would have gone to see it.
And regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
Regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
Certainly a woman should never disguise the fact that she is a woman. A woman's body is very beautiful.
When I went back home, I was constantly being reminded, I'm an African woman, and so there are certain things I shouldn't do, certain ambitions that I should not entertain. That was a problem for me because I had never thought of myself as an African woman, never thought of myself as a woman to begin with. For me the limit was my capacity, my capability.
It was never a deliberate decision to make films about the 'woman experience'. Having said that, we are all many things - for example I'm Igbo and Nigerian, a director, a filmmaker etc., but I feel what affects me the most, especially the way people/society view or treat me, is the fact that I'm a woman, and I'm fascinated by that.
You are not Dostoevsky,' said the woman... 'You never can tell...' he answered. 'Dostoevsky is dead,' the woman said, a bit uncertainly. 'I protest!' he said with heat, 'Dostoevsky is immortal!
And I said couldn't we be more moderate? And he said why? And I said because I care about the team. And he said, 'No Jony, you're just really vain. You just want people to like you. I'm surprised at you, because I thought you really held the work up as the most important and not how you are perceived by people.' People misunderstand Steve because he was so focused.
I thought I needed to go to one of the top five schools in the nation and never even thought 'What's important to me?' Instead of figuring out what was important, which was obviously being near home, I kind of just went with what everyone thought I should do.
Maurice Sendak never - I remember he said something that was very striking because it's something I never thought about. I always loved his work, and he said, 'I don't really view myself as a children's book author. I just try and write about childhood as honestly as I can.'
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