A Quote by Suzi Quatro

I do think fame can distort reality. I've always felt that. — © Suzi Quatro
I do think fame can distort reality. I've always felt that.
Do the structures of language and the structures of reality (by which I mean what actually happens) move along parallel lines? Does reality essentially remain outside language, separate, obdurate, alien, not susceptible to description? Is an accurate and vital correspondence between what is and our perception of it impossible? Or is it that we are obliged to use language only in order to obscure and distort reality -- to distort what happens -- because we fear it?
I don't treat my family any differently because they're on television. I've always had a problem grasping fame. I don't think I understand fame, and I don't think I ever will. I think that anybody who thinks that they understand fame, they're doing it for the wrong reasons.
Those in power always try to distort reality, to suit their needs and keep things safe.
I've never felt Truth was Beauty. Never. I've always felt that people can't take too much reality. I like being in Ingmar Bergman's world. Or in Louis Armstrong's world. Or in the world of the New York Knicks. Because it's not this world. You spend your whole life searching for a way out. You just get an overdose of reality, you know, and it's a terrible thing. I'm always fighting against reality.
I've always been profoundly ambivalent about fame. I think it just eats the reality out of you and it can be intoxicating because I like some of it.
Growing up, I was picked on a bit; I was pretty heavy-set, and then I was a theater kid. I just felt unpopular and uncool, so I think in my mind I had this idea of fame and being popular and how nice that would be. The reality of it is sometimes it's not nice.
I always felt that I was one of the women who helped lay the foundation for rock and roll. But I'd always been overlooked by the Hall of Fame.
The real danger to the world's resistance movements is the attempt to distort reality and to place the blame on the resistance groups' actions without allowing them to portray their perspective, thus ignoring the reality of the occupation and the siege, like the situation in occupied Palestine.
In my mind, I always felt like I was worthy. I really felt like, with my career and just the way I did it, it was Hall of Fame-worthy.
I don't think anything could prepare you for whatever fame is. Fame is a very hard word to define cause it means different things to different people for different reasons so I never really think of it as fame, I think of it as part of the job.
I've always warned my clients about fame being very dangerous, and unfortunately, they need to be famous to make a living, but not to be flippant with it, that it could kill them, and to always keep their eye on it. There was no reason for me to do it. I don't make my money off fame, not my fame.
One common mistake is to think that one reality is the reality. You must always be prepared to leave one reality for a greater one.
As far as trying to make it terms of social hierarchy or status and all that in art and music - I've always felt that that stuff was bullshit. It's got very little to do with reality, and reality is where things live. You look at a painting and think, "Oh, it's beautiful. It inspires me," whatever. But it's never going to inspire you like reality. A lot of these artists and musicians who prioritize skill over experience, they sit around masturbating themselves over knowledge and intellect rather than just going to a place.
People always assume that once you are in a reality show, you will become an actor for fame and money.
There needs to be understanding that anger never helps to solve a problem. It destroys our peace of mind and blinds our ability to think clearly. Anger and attachment are emotions that distort our view of reality.
It is sometimes desirable to distort or accentuate with lenses of various focal lengths... Deliberate distortion may actually add to its reality.
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