A Quote by Suzi Quatro

I've always done a bass and drum solo that lasts about 10 minutes. The main thing is to use it only when you need to. — © Suzi Quatro
I've always done a bass and drum solo that lasts about 10 minutes. The main thing is to use it only when you need to.
The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.
The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
In giving presentations, use the 10/20/30 rule....use only 10 slides, take 20 minutes maximum, and use at least 30-point fonts.
Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.
My father said, '10 minus one is zero.' It means that even if you do good things 10 times, it is no use when you do some bad thing once. But it doesn't mean that I think I have positive image, so I always need to be careful about what I'm doing. I don't want to frame myself.
So somehow, things that seem extraneous to the play in reality are not. The scene lasts 37 minutes, and you only need 12 minutes of that for the plot. But if you pull the rest of it out, it's not my play.
I've got different drum machines that I use for different things, but I think the older ones are always the best when it comes down to getting that 808 bass.
A show could be 10 minutes, seven minutes, 94 minutes. We just need to tell the stories that need to be told.
I often use a return channel to get some shape out of the bass. It's a good way to split the frequencies of the bass so that the sub bass is clean and in mono and the higher end of the bass sound can be filtered off - have it on an audio channel and that's where you can use effects.
We've become more and more interrupt-driven. If you have six tasks to do in an hour, you can't just take 60 minutes and divide and have 10 minutes per task. You have 10 minutes per task minus the time required for context-shifting. That will be the next big challenge: figuring out how to fight the distraction-driven mode we're in and stay focused on one thing long enough to get it done.
I have two main bass guitars, and my main bass is a four-string 1964 Fender Jazz, and I've named it Justine.
When Mr. Ludwig invented the bass-drum pedal, that's what made the drum set possible.
When I did my solo album, I put on a song that I'd planned for Toto that never made an album constructed from a great drum track with Jeff and a bass track with Mike and the guys loved it.
The first thing I do after I wake up is a morning meditation. It's just as I awake and before I open my eyes. It's where I'm feeding my gratitude and the love in my heart and opening my heart. A good morning meditation is key. It lasts about 10 to 15 minutes. Then I get out of bed.
When I play in Hong Kong I go alternative, from Wu Tang Clan to 'Blue Monday,' and then for the last 45 minutes, if they deserve it, I play beautiful drum 'n' bass.
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