A Quote by Suzi Quatro
I have recorded nine tracks for a new album which I financed myself and am looking for a home for.
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For AERO, I wanted to revisit in 5.1 some existing tracks in order to give them that space I had imagined when I originally composed them, and also to compose some new tracks for this new technology. All of the existing tracks in AERO have been performed with the original instruments, re-recorded and spatially arranged/spatialised for this new dimensional sound experience without betraying their very essence.
With our last album ("No Time To Bleed"), we recorded most of it in New Jersey. And with being on the road 9 months a year, recording an album on the other side of the country- it just wasn't a good experience for us. All I wanted to do was go home and see my daughter, so for us to only be a couple hours away was huge- I could go home if I needed to.
In 1975,Bob Dylan was almost 10 years past his prime - and then he released the best album of his career, Blood on the Tracks. Written and recorded amid a painful divorce, Blood on the Tracks is proof that heartbreak makes great art - just as many of the albums that followed were the opposite.
I am thrilled to have been able to put together this new album. I listened to everything I had recorded in the 24 years with Elektra, and then just took all the ones I am mad about.
I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.
With this new album, I prepared for it a long time, and I was happy with the songs and the production. I felt that I proved myself with the first album, and with this new album, I just want to share some of my music. And that was always my feeling and my intention.
I've just built a studio in my mama's old bedroom, which I thought was fitting; she died last year. We've recorded nine songs recorded in there already; we're sort of just chipping away.
There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
I feel excited about my new home in F1. I am looking forward to working here and of course I am especially looking forward to driving the car for the first time.
However I am looking forward to the two new Grands Prixs both Shanghai and Laguna Seca are fantastic tracks and it will be good to race at them.
I really try to ask myself the question of nine. Will this matter in nine minutes, nine hours, nine days, nine weeks, nine months or nine years? If it will truly matter for all of those, pay attention to it.
That which is inherently nonfinanceable is financed. That which is inherently financeable is not financed. And the illogic of poverty amidst eagerness and ability to produce plenty goes on.
I'm really proud of the album. It's something I always wanted to do but I had to wait until I was ready. Shakespeare is a culmination of eight years of stand up experience and joke writing. I recorded two shows at the Upright Citizens Brigade Theatre in New York. The crowds were great and that's what really makes an album.
Some guys record an album with songs that are filler. I recorded this album like it was my last.
The one person who's disappeared out of the business is the A&R man. Because the listener at home becomes the A&R man. He's the one who chooses what tracks he wants on the album. And that's cool.
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