A Quote by Suzi Quatro
The golden rule for playing the bass is that's it all about feel, not just plonking away. You need to feel the sound, not using a pick or a plectrum - which has meant plenty of calluses on my fingers.
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A lot of other bass players have told me I'm the only bass player who plays with a pick but sounds like he's playing with the thumb and fingers, which is a great compliment.
I just think that playing bass, like punk rock bass with a pick, wasn't meant to be done for 25 years.
You don't want to be a one-trick pony. On a lot of Smiths songs, I used a pick or a plectrum, and for some of the slow songs, I used my thumbs and my fingers. That's why I love the bass - it's adaptable, and you can express yourself so well with it.
What it really comes down to, especially in metal, is that the bass needs to cut through, so you go to the pick for that effect. But when you have a certain feel about the music and really dig in to get a big growl, you have to go with the fingers, because you're not going to get it with a pick.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
To meditate, you need to feel, and feeling is a lost art. You need to feel the stillness of existence and also the sound of existence. You need to feel that which lies beyond your awareness field, and that which is within it.
I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.
You can feel the drums, and you can feel the bass. So, being able to feel the music through the floor, it makes me feel like I'm a part of the band and not just the only person in the room who doesn't really understand what's going on.
The first reason why I started to use the [electric] keyboard is because I really like the bending sound of the guitar and bass player. I can't bend the piano sound. I really like the feel behind it. I feel it adds flavour and character to my music.
You need to make people think about society in a less literal and more primal way. It's about using the least amount of sounds to make the most amount of noise and energy, and making a bass stab really feel like you've been punched in the face.
Chances are you're using overeating as a way to escape yourself. It's an attempt not to feel or think about what you really need to feel and face.
I've listened to musicians who say that using a metronone makes you robotic, that it decreases your 'feel.' That's ridiculous. Either you have feel or you don't. Feel is one of those intangibles that can't be taught. But if you do have feel, using a metronome will allow you to play cleaner - and that'll make your 'feel' have more, well, 'feeling.'
I've watched so-called 'New Order' playing in Auckland, and Tom Chapman is miming along to my bass on tape... He's got his fingers on the low, and you can hear my high bass in the background. So he's miming.
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
My research and practice indicates that people need to be doing work they love and to love the work they do. They need to feel that their efforts matter for the people and causes about which they really care. Further, they need to be doing work with people they respect and enjoy. Finally, they need to feel free to choose where, when and how it all gets done. It's not easy to put these conditions in place, but it is certainly possible to do so, as I have seen and shown in my work in organizations and communities using the Total Leadership approach.
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