A Quote by Suzuka Nakamoto
Babymetal's music is something that no artist has attempted in the past, uniting people as one by crossing language barriers and national boundaries. It was a huge revelation when we realized that our music has such power.
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I met people that I couldn't talk to - they didn't speak Spanish or English - but they knew my songs. That's what I love, the music has gone past where I thought it would get to. That's the power of music, how it can travel and break language barriers.
I believe Babymetal's music can transcend everything from national boundaries, genders and ages.
We were worried at first that our music and message wouldn't get across because we were singing in Japanese. But as we continued doing world tours, we realized and felt that music surpasses such things as language barriers, countries and race.
Music is language itself. It should not have any barriers of caste, creed, language or anything. Music is one, only cultures are different. Music is the language of languages. It is the ultimate mother of languages.
In the beginning, Babymetal received critical comments since the genre was new, but now we have an impression that Babymetal's music is getting accepted and spreading as one genre of music.
Babymetal's music is kind of - no one else creates this kind of music. When Babymetal first started, we wanted to give the impression of like, 'What the heck?!'
When the first video was uploaded to YouTube, that's when we realized that people outside of Japan were interested. That's where we see Babymetal spreading, with people trying to mimic music or dance moves.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.
It's the true meaning of music being a universal language, constantly fighting and going through different boundaries in order for new people to hear the music and be like, "Oh, sh*t! I mess with this Pitbull kid."
Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does-humans are a musical species.
Music crosses cultures and language barriers and it makes people feel good.
Understanding Meronian - my own language - is a psychic process which succeeds when we break through the boundaries of comprehension and reach for what's beyond our limited perception. Its ambiguousness is related to the ambiguousness of music, and it doesn't guide us too much towards semantic domains. It contains all the necessary meaning required in our rock music.
I'm all for file sharing. That's great - as long as people are prepared for the significant consequences. One is that music will become completely couched in advertising. That's already happened. And another is that people should be prepared to have fun with the past because the only music that can possibly be free is the music that's from the past. It costs money to make music. And if people are prepared to only have the past to listen to, then let it be free.
I don't really see huge barriers between any styles of music. My definition of music is "organizing sound and silence into emotion," and that's a very broad definition.
I'm a huge stadium rock fan, but I'm also a fan of everything from Massive Attack to Peter Gabriel, U2, the Police, Radiohead, and Coldplay. I've realized that I love all forms of music and get excited when any artist goes crazy and creates something that is an experience.
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