A Quote by Suzy Bogguss

I think somewhere in the back of my mind I've always wanted to make a whole swing album. — © Suzy Bogguss
I think somewhere in the back of my mind I've always wanted to make a whole swing album.
I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.
The album is always definitely the goal, because I think that albums are like captures and bookmarks. After five or six of them, you can always go back and be like, 'Well, what was his first?'... I think an album really gives you a chance to make people feel something.
I think the whole '2112' album took somewhere around a week to do.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
I always wanted to make a song like 'Why' even before my second album. It was just something I always had in my mind. But when I got the beat from Havoc, it was like the perfect beat, I felt... I wanted to get some questions I thought everybody... felt like 'why?' to.
My whole career, my swing has always been the most important thing to me. Even when I'm taking a shower, I work on my swing.
I've always wanted to produce a whole album for an artist.
If I sample a song, I usually make samples out of the whole album. Then I move on after that. Doesn't mean I'm going to release that whole album, but I do that.
I've always swung the same way. The difference is when I swing and miss, people say, 'He's swinging for the fences.' But when I swing and make contact people say, 'That's a nice swing.' But there's no difference, it's the same swing.
I played the violin my whole life. I wanted to play from the time I was just a little kid, and I've always loved dance as well. I wanted to make people smile. I wanted to add an extra energy to my playing and make it visual and make it unique and fun.
We wanted to make movies back in college before Rooster Teeth. Our roots have always been in feature filmmaking, and we've always wanted to go back to it.
I always loved bands who would try to change their sound radically album to album, experiment in one album and revert back in another.
I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.
I think a lot of bands would just make a dark, bleak album, which is why we wanted to do the opposite. We wanted to let people know that there's hope out there, and that no matter how tough things get, they will always get better. I'm really proud of that.
I wanted to go somewhere and make a name for myself. I wanted to go somewhere and establish a winning culture because everybody knows about the football team. So I wanted to change the culture and make it both basketball as well as football and just give the fans what they want in Tuscaloosa.
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