A Quote by Suzy Bogguss

I have been fortunate enough to record several singles and a whole album with Chet Atkins. — © Suzy Bogguss
I have been fortunate enough to record several singles and a whole album with Chet Atkins.
Growing up, I remember I had several different 45 singles. But the first album I received was from a family friend: Emmylou Harris' 'Roses In The Snow.' It was so incredible. This record, to this day, is the favorite album of my life.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
I really consider myself fortunate to have been of age during the musical revolution that came in the form of the Beatles. People don't realize that previous to the Beatles, there really was no such thing as an album artist. People made singles. Then they would put a bunch of those singles together and call it an album. And that was it.
You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.
You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.
There's every other guitar player and then there's Chet. He transcended musical boundaries for more than fifty years. God only lays Chet Atkins on you once in a lifetime.
There only have been two people on this earth that I was nervous around: Chet Atkins and Mickey Mantle. It's because of the respect I have for them.
I only wish Chet Atkins could be here for this joyous occasion.
Chet Atkins... is probably the best guitar player who ever lived.
When Alcatrazz played in Japan in early '84, the record label offered me the opportunity to do a solo album while continuing to play in the band. I wanted the whole album to have vocals, but the record company didn't want that. Initially, the album was released solely in Japan.
I have my problems with 'Singles'. To me, 'Singles' is the least successful of the movies I've been lucky enough to make.
There's no great guitarist that doesn't sit down and listen to Chet Atkins and Eddie Van Halen, and all these other great players.
Because Led Zeppelin weren't having to worry about doing singles, each time we went in to record, it was a body of work for an album. So you could get the shift and the movement forwards as opposed to having to be rooted back to a single that might have been done a year ago.
What record companies do these days is drain the blood dry of an album, take six singles off it, and harm the longevity of artists' careers by doing it.
I love Jimmy Bryant, and I love Albert Lee. Roy Clark. Chet Atkins. I love those pickers.
I'm fortunate that I've been in this business long enough that I've earned the right to be left alone by my record company.
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