A Quote by Suzy Kassem
Beautiful is he who recognizes what is truly beautiful even if the surface is ugly. Truthful is he who says what is true even if the truth is ugly. Ugly is he who measures beauty by its exterior without first weighing the interior. And ugly is the man who judges harshly what he sees looking out without first judging what he sees in the mirror.
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What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.
I remember growing up and hearing the word "ugly" a lot. "I'm ugly." "She ugly." "He ugly." I hated it then, and I hate it now. I go past physical beauty; I tell people they have a beautiful spirit and that is something different.
The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.
But you're beautiful, and the beautiful should be given whatever they want." "Hey, what about the ugly ones?" "The ugly ones." She poked her tongue out. "It's their fault if their ugly. They're to be blamed, not pitied.
She was ugly from the front, and I said ugly, ugly, ugly, ugly, ugly. Well, I could handle it behind her.
[K]now that however ugly the parts appear the whole remains beautiful. A severed hand Is an ugly thing, and man dissevered from the earth and stars and his history... for contemplation or in fact... Often appears atrociously ugly. Integrity is wholeness, the greatest beauty is Organic wholeness, the wholeness of life and things, the divine beauty of the universe.
There is no merit in being truthful when one is truthful by nature, or rather when one can be nothing else; it is a gift, like poetry or music. But it needs courage to be truthful after carefully considering the matter, unless a kind of pride is involved; for example, the man who says to himself, "I am ugly," and then says, "I am ugly" to his friends, lest they should think themselves the first to make the discovery.
Fashion is what seems beautiful now but looks ugly later; art can be ugly at first but it becomes beautiful later.
Reckoned physiologically, everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something ugly. His feeling of power, his will to power, his courage, his pride - they decline with the ugly, they increase with the beautiful.
You're made to feel ugly, and I made ugly beautiful. Just by sheer persistence. Nobody has the right to say that I am ugly, and I will not be a professional victim, you know. Sorry!
The task of art is to take hold of the shining, the radiance, the manifestation, of that which as spirit weaves and lives throughout the world. All genuine art seeks the spirit. Even when art wishes to represent the ugly, the disagreeable, it is concerned, not with the sensory - disagreeable as such, but with the spiritual which proclaims its nature in the midst of unpleasantness. If the spiritual shines through the ugly, even the ugly becomes beautiful. In art it is upon a relation to the spiritual that beauty depends.
I said to them last week that I'd like them to win ugly and they certainly won ugly today. That was the ugliest thing I've seen since the ugly sisters fell out of the ugly tree.
Like an unchecked cancer, hate corrodes the personality and eats away its vital unity. Hate destroys a man's sense of values and his objectivity. It causes him to describe the beautiful as ugly and the ugly as beautiful, and to confuse the true with the false and the false with the true.
The wrinkled man in the wheelchair with the legs wrapped, the girl with her face punctured deep with the teeth marks of a dog, the mess of the world, and I see - this, all this, is what the French call d'un beau affreux, what the Germans call hubsch-hasslich - the ugly-beautiful. That which is perceived as ugly transfigures into beautiful. What the postimpressionist painter Paul Gauguin expressed as 'Le laid peut etre beau' - The ugly can be beautiful. The dark can give birth to life; suffering can deliver grace.
the beautiful are found in the edge of a room crumpled into spiders and needles and silence and we can never understand why they left,they were so beautiful. they dont make it, the beautiful die young and leave the ugly to their ugly lives.
If we fully trust that God is as beautiful as he reveals himself to be on the cross, we must regard the ugly surface appearance of these portraits to reflect the sinful way his people imagined God, not the way God actually is. But when we by faith look through the ugly surface of these portraits, we can see God stooping out of love to meet his people where they are at and to bear their sin, which is why in Scripture he takes on an ugly surface appearance that reflects the ugliness of their sin.
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