A Quote by Suzy Kassem

Truth is as straight as an arrow, while a lie swivels like a snake. — © Suzy Kassem
Truth is as straight as an arrow, while a lie swivels like a snake.
Truth is as straight as an arrow, while a lie swivels all over the place. You can hide Truth under a doormat, but eventually the mat will rise very high with Time -- forcing it to reveal all the truths it conceals.
Glorify a lie, legalize a lie, arm and equip a lie, consecrate a lie with solemn forms and awful penalties, and after all it is nothing but a lie. It rots a land and corrupts a people like any other lie, and by and by the white light of God's truth shines clear through it, and shows it to be a lie.
It’s not enough to be able to lie with a straight face; anybody with enough gall to raise on a busted flush can do that. The first way to lie artistically is to tell the truth — but not all of it. The second way involves telling the truth, too, but is harder: Tell the exact truth and maybe all of it…but tell it so unconvincingly that your listener is sure you are lying.
Just so you know, I'm straight. Totally straight. As an arrow." Her voice held a smile. "So am I
It was an American who said that while a Frenchman's truth was akin to a straight line, a Welshman's truth was more in the nature of a curve, and it is a fact that Welsh affairs are entangled always in parabola, double-meaning and implication. This makes for a web-like interest.
The probability that the bowman's arrow hits the deer does not lie in the arrow or the deer. It lies in the bowman's mind.
You're right. And so was my snake." Snake?" He pulled my arm out to expose my bracelet. "When I carved this my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me.
Wait not while your foe fits arrow to bowstring when you can send your own arrow into him.
Champagne, if you are seeking the truth, is better than a lie detector. It encourages a man to be expansive, even reckless, while lie detectors are only a challenge to tell lies successfully.
Among other common lies, we have the silent lie - the deception which one conveys by simply keeping still and concealing the truth. Many obstinate truth-mongers indulge in this dissipation, imagining that if they speak no lie, they lie not at all.
an Autobiography is the truest of all books; for while it inevitably consists mainly of extinctions of the truth, shirkings of the truth, partial revealments of the truth, with hardly an instance of plain straight truth, the remorseless truth is there, between the lines, where the author-cat is raking dust upon it which hides from the disinterested spectator neither it nor its smell... the result being that the reader knows the author in spite of his wily diligences.
The result of a consistent and total substitution of lies for factual truth is not that the lie will now be accepted as truth, and truth be defamed as lie, but that the sense by which we take our bearings in the real world - and the category of truth versus falsehood is among the mental means to this end - is being destroyed.
Like a rock, standing arrow straight. Like a rock, charging from the gate.
A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same.
What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.
I'm about as straight an arrow as you'll find out there.
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