A Quote by Suzy Kendall

It's a kind of limbo, knowing what you want but not being quite sure how to go about doing it. — © Suzy Kendall
It's a kind of limbo, knowing what you want but not being quite sure how to go about doing it.
When you are not happy where you are, and you are not quite sure if you want to leave or how to leave, you are in the meantime. Its a state of limbo. You are hanging on, ready to let go, afraid to fall, not wanting to hurt yourself, afraid you will hurt someone else. In the meantime, you pray the other person will let go first so that you will not feel guilty.
For me, some of the key points of drag are knowing who you are, how you want to go about making people happy with your art, and why you're doing what you're doing.
To me, it's about being smart, knowing when to go down and if you're on the sidelines knowing when to go out of bounds, and I think I do a pretty good job of doing that.
I worry that even those who want to reform are not quite sure how to go about it. There is so much to be done.
Every limbo boy and girl, all around the limbo world. Gonna do the limbo rock, all around the limbo clock.
Life's most persistent and urgent question is: what are you doing for others? Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little.
Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
The best part about being my age is in knowing how my life worked out. Sure, there's a lot more living to go, but there isn't much doubt that I'll always be the 'Dilbert guy.' Unless I go on a crime spree, in which case I'll be that stabbin Dilbert guy.
It's not really about asking for the raise but knowing and having faith that the system will actually give you the right raises as you go along. And that, I think, might be one of the additional superpowers that, quite frankly, women who don't ask for raises have. Because that's good karma. It'll come back. Because somebody's going to know: 'That's the kind of person that I want to trust. That's the kind of person that I want to really give more responsibility to.'
Clearly something had gone wrong, badly, only I wasn't quite sure what—apart from knowing that I was responsible somehow, in the generalized miasma of shame and unworthiness and being-a-burden that never quite left me.
Some of my best sources are ex-policemen, just to get a feeling of what it's like to be one. And it's quite different from being a civilian - except, of course, that I believe that policemen are just special sorts of civilians. Things like how hard it is to hold someone that doesn't want to be held. This is the kind of thing that is worth knowing.
Limbo is the place. In Limbo one has natural happiness without the beatific vision; no harps; no communal order; but wine and conversation and imperfect, various humanity. Limbo for the unbaptized, for the pious heathen, the sincere sceptic.
When you're quite sure about yourself and the values and where you want to go, it's easy to make difficult choices.
People think that I have some idea about how I choose my films. I make sure that I am doing the kind of films that I want to watch. You hear so many stories, and one of them will stand out and connect to you somewhere.
The song is about knowing the end result of every situation you're in, and being able to play it out in your mind and see it before it happens. It's about addiction, really, about knowing how it's all going to end up. In that sense, you're watching a movie of yourself all the time - and then you want out of that movie.
What's the level of compromise for making that kind of money? How far do I have to sell my soul? What's the price of that? And I don't know if I want to make those kind of compromises any more. I think I'm a different person. I think I've matured to a great extent. I think that I want different things now. That it's not about the celebrity status that you receive because you're doing the next hot movie. It's about doing good work.
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