A Quote by Suzy Menkes
Fledgling designers need investment - but how much easier it is to put them in a dead man or woman's shoes, perhaps also backing the new designer's namesake line, but only as what the French call a 'danseuse,' a plaything.
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A woman who has style doesn't necessarily need designers - designer wear. A woman who has style can put on any frock or dress or pant or whatever and still bring something to it.
The designer side of me has many ideas on how the shoes or woman should look, but the man is thinking 'would I want to see my girl in those shoes?'
I'm literally nowhere yet... When things started going well, this French designer called Ami gave me some shoes and clothes to wear. But when I sat down to play the piano, the very new shoes kept slipping off the pedal. So I took them off, threw them away, and have never worn shoes while playing the piano from then on.
I like the new shoe designers. Not all of them - there are really bad ones too. But I go to the colleges with these kids for lectures, as an honorary professor or whatever, and this Chinese girl I like very much who I give the award to says to me, "You don't know how much you inspired me to do shoes." And I'm glad that I convey that kind of desire to people when they see my bloody shoes.
I love Italy, and that's where I make my own shoes. But the French really do respect designers. Italy is totally different; footwear is an industry. The shoes are all about craft and luxury. French shoes are more about straight lines, and they are way more geometric.
The new generation of designers, like Prabal Gurung and Alexander Wang, have hundreds of thousands following them on social media who will probably never be able to afford their dresses but still feel a loyalty to them. So when that designer writes a book or launches a beauty line, they might pick that up.
It's super-essential. Even though I don't have a very big team, for me, the word muse may be démodé or not. I adore it, but I am also one, in my delirium, to be quite classical. For a designer - especially a male designer - he absolutely has to have that female voice by his side, which he listens to, he filters, he digests. It's a huge need, because when you see through the eyes of a man, you see a woman a certain way, and how they have little tricks of their own.
To the barefoot man, happiness is a pair of shoes. To the man with old shoes, it's a pair of new shoes. To the man with new shoes, it's stylish shoes. And of course, the fellow with no feet would be happy to be barefoot. Measure your life by what you have not by what you don't.
It is my judgment that any man or woman can do more to conform to the laws of God in one year in this life than they could do in ten years when they are dead. The spirit can only repent and change, and then the battle has to go forward with the flesh afterwards. It is much easier to overcome and serve the Lord when both flesh and spirit are combined as one. This is the time when men are more pliable and susceptible. We will find when we are dead every desire, every feeling will be greatly intensified. When clay is pliable it is much easier to change than when it gets hard and sets.
We need to educate young people to deal with new modes of education that are emerging with the new electronic technologies and we need to educate them to not only learn how to critically read this ubiquitous screen culture but also how to be cultural producers.
Perhaps it's only when people are dead that we can safely show how much we cared about them. We know that it's too late then for them to do anything about it.
It is so much easier to be nice, to be respectful, to put yourself in your customers' shoes and try to understand how you might help them before they ask for help, than it is to try to mend a broken customer relationship.
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
If a man has an apartment stacked to the ceiling with newspapers, we call him crazy. If a woman has a trailer house full of cats, we call her nuts. But when people pathologically hoard so much cash that they impoverish the entire nation, we put them on the cover of Fortune magazine and pretend that they are role models.
As a designer, you are not only a designer, you are also a celebrity, an entertainer, and a spokesperson that speaks on behalf of the company. So you need to realize that you have to embrace all those sides.
The reason why many clients don't value design is because haven't had a designer prove to them the value of it. You need to prove it to clients who've hired a bunch of shitty designers and their business has not been that successful. When they hire a good designer, they see the difference.
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