A Quote by Suzy Menkes
If fashion is for everyone, is it fashion? The answer goes far beyond the collections and relates to the speed of fast fashion. There is no longer a time gap between when a small segment of fashion-conscious people pick up a trend and when it is all over the sidewalks.
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I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
I hate fashion. Or the word fashion, which sounds colorful, extravagant, expensive and gorgeous. “I never wanted to walk the main street of fashion. I have been walking the sidewalks of fashion from the beginning, so I’m a bit dark.
The fact that fashion goes out of fashion and then comes back into fashion based solely on what a few people somewhere think they can sell, well to me, that’s insanity.
Fashion is everywhere. Everywhere! Flowers are fashion to me, the sky is fashion, my garden is fashion. My darling, the Sistine Chapel is fashion.
I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.
I do not aspire to be in fashion. For what is in fashion, goes out of fashion
If, on the contrary, your work is contested today, it doesn't matter.
For when it is finally understood, it will be for eternity.
The fashion industry has an enormous amount to offer in what we do in industrial design because fashion is fast, fashion has its finger on the pulse. There are very few creative industries that work on that rhythm.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
Society has a hyper emphasis on thin, and that trend comes from the consumers - it does not come from the fashion industry. The fashion industry needs to make money; that's what we do. If people said, 'We want a 300 pound purple person,' the first industry to do it would be fashion.
With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.
I've always enjoyed fashion and dressing up for things, whether it's high fashion or play fashion.
Fashion wears many faces; it has the urge to belong to a group - to charm - but also the urge to be exclusive and snobbish to carve out individuality. That is the genius of fashion! Fashion is what time looks like, and it's up to us all to shape what our own time looks like. Fashion is a collaborative art form in this way... We all paint the picture.
I grew up in Perugia, Umbria, in a world outside of fashion, so I didn't learn about it until I was older and moved away. In Milan, the women are really into fashion, and all the big fashion brands are based there, but I don't think they feel pressure to look good all the time.
Even though I love fashion, I prefer people to fashion. Fashion is to make the person comfortable in her body, it?s not something very serious, you get to play.
When you go to make a purchase, take a look at the product and ask yourself: 'am I being cheated?' If a product from a 'fast fashion' chain is falling apart before you've even bought it, it's not a deal. It's the fast-fashion company trying to get you to buy something that is quick on trend but slow on quality.
Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
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