A Quote by Sven-Goran Eriksson
After three years with Roma, I spent two seasons at Fiorentina. I could have stayed there for longer, but they only had ambitions to be in the middle of the table - not to win anything. Their ambition was to not go down.
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I was at Roma for two years, had two great seasons there, and everyone told me to stay, but it was in my mind to come and be successful in England.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
I spent two great seasons playing in the Russian championship. I could have stayed there, but I went to the Premier League, which is much more competitive and requires much greater levels of fitness.
I had left the music industry at the end of 2001, after 10 years, and had spent three years writing every single day - producing two unpublished novels, one abandoned novel, and three unproduced screenplays. The word 'no' and I were on more than nodding terms. The word 'no' and I were talking about going on holiday together.
I have lots of experience in three clubs: I was at Chelsea, then Fiorentina, and then Roma. I have good experience.
I was born in Evanston, Illinois. I spent my elementary and part of my junior high school years in a D.C. suburb. And then I spent my high school years in Minnesota. And then I spent my college years in Colorado. And then I spent some time living in China. And then I spent three years in Vermont before moving down to Nashville.
I spent two years living in London - I'd have stayed for ever if I could have got a work visa. It was there I started collecting vinyl and fell in love with the sounds of the 1970s.
For the Patriots, you can be a cheerleader for four years. They can be four consecutive years. You can do two years and take a break, and then come back for two more years. I've actually only completed two years, two seasons with the Patriots cheerleading team.
You don't look for jobs. You don't phone up 10 clubs and say, Here I am. You are offered the job. I was in Benfica many years ago. I was leaving the training ground and I had a car after me. It went on for 10 minutes. Anyhow, he stopped and I stopped and he said, I'm from the Italian embassy. Ah yes, and what do you want? I want your phone number because Roma wants you as a manager next season. Three months later I was sitting on the bench in Roma. I don't think the rest of working society works like football.
The money's always been on the table. We could have took that money any time we wanted - every year, two, three times a year we've had offers, all the way down the line.
I want to give something new to this club, I want to bring Fiorentina into the top three of the table.
I always play to win, as I proved at AC Milan, Real Madrid, Roma and Juventus. I want my players to have the same ambition.
Two or three years ago, every game I want to score. And after I score a goal I have a spark and I'm so happy I want more. Now I'mkind of different. I'm not saying I lost my spark - I still have it - but I don't chase the goal as much as I used to. I'm playing for the team andI still know I can score, but it's different than two or three years back.Look at great teams like Detroit a couple of years ago; they winthe Stanley Cup and guys only score 25 goals, nobody has a really big season. You have to play defense, that's how you win.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
I did go to Beijing, with a two-year assignment. I stayed four years. And those four years were the most formative four years in my life. What I learned was more than I would have learned in 10 years in America or Europe, and I wouldn't trade it for anything.
I had spent about three months where I couldn't sing at all, so that was anxiety-provoking. But after that, I went back out. I sang for two hours in my garage one day to see if I had a voice.
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