A Quote by Sven-Goran Eriksson
Italian footballers can take a coffee and sit for two hours talking, laughing.
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I can't sit around having coffee. I have all these appointments, and a lot of my friends sit around having coffee talking about the jobs they didn't get.
When you sit with a nice girl for two hours, it seems like two minutes; when you sit on a hot stove for two minutes, it seems like two hours. That's relativity.
If you were to sit me down in a classroom, with fluorescent lights humming and some woman trying to teach me Italian, there's no way. But scream goes to Italy, we stay in a squat, and the only way you can ask someone where to take a piss is to do it in Italian. So I learned Italian.
As footballers that's what we do when it comes to bonuses. we don't sit there and go 'yeah can I get £20million as a bonus.' You have to sit down, 'how much money does the club make, what's their reported loss.' You have to sit and go through it all and go OK, this is what you take, we feel that we should get that if we do this.
Before the show, there's about two or two and a half hours of meet and greets with radio stations, promoters, people who I need to see and thank and talk to to make sure they remember me. And then, I get - out of all that day of talking and smiling and shaking hands and getting photos, I get to sing for two hours.
The two hours onstage is great. But I can only play a show and then take a night off. I have to sing for two hours, and then I've gotta rest it for a night. So it's the other 46 hours that are just boring as heck.
I love sitting through long things. I mean, 'Gone With the Wind' I will sit through; I love sitting somewhere for four hours, for anything. I love being on a train. I love sitting down for four hours. I think it's the most wonderful thing to be able to sit somewhere and concentrate on something for more than two hours.
I grew up in Flagstaff, and I still own my old family house up there, so I go up there a couple of times a month just to sit for a day or two and work without any kind of interruption, and I usually take a dinner break, and I'll watch two hours of DVD.
The big part of coffee production in many rural areas is in the hands of women. It's women who work in the fields. They harvest the coffee. They wash the coffee. They take the coffee to the market. But when the coffee gets to the market, it's the man who cashes in the money for the crop.
Then I saw Juli. She was two tables away from me, facing my direction. Only she wasn't looking at me. She was looking at Jon, her eyes all sparkly and laughing. My heart lurched. What was she laughing about? What were they talking about? How could she sit there and look so... beautiful? I felt myself spinning out of control. It was weird. Like I couldn't even steer my own body. I'd always thought Jon was pretty cool, but right then I wanted to go over and throw him across the room.
I guess telling stories is an art. I never looked at it that way. I just started talking, and everyone started laughing. So I kept talking, and they kept laughing.
I hated my last boss. He asked, Why are you two hours late? I said, I fell downstairs. He said, That doesn't take two hours.
I have a Pasquini, the old-fashioned Italian coffee machine. I have to make my coffee because I know exactly how much I want and how strong I like it.
Because I am kind of distracted, I don't tend to sit at my desk 9 to 5. It can be two hours a day, or, when I'm in the final editing stages, it can be 14 hours a day.
I think what qualitiy make for good directors is being able to articulate what you want; it can cause problems with a lack of communication. I'm not an actor who requires much talking to a director, I don't want to sit down and discuss a scene for hours and hours; that would bore me.
The smell of roses, my children's bright eyes and smiles, laughing with my husband, walking on the beach, using my hands to do crafts or play guitar, brainstorming, and drinking coffee, really good coffee.
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