If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
I have no favourite genre or style but treat each novel with the same care, imagination and craftsmanship. It's as difficult to write a crime or a children's novel with a touch of style and grace as it is a literary novel.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I didn't consciously make the decision to write an adult novel. I didn't think of it as my riposte to the YA genre.
I love working with genre. And to me, the Victorian novel is the flourishing ancestor I'm always trying to access when I write.
When you write for a show that's not yours, your job is to hear the voices of the characters and write as best you can for those voices.
I feel that whatever virtues the novel may have are very much connected with the limitations you mention. I am not writing a conventional novel, and I think that the quality of the novel I write will derive precisely from the peculiarity or aloneness, if you will, of the experience I write from.
I genre-hop quite a lot. I love manipulating genre and deconstructing it and making it irrelevant. Genreless music is great because it means you get to write in any genre that you like.
I don't think I will write anything that could be even remotely considered a genre novel from this point on. I think I've graduated.
There are two ways to write a werewolf novel - you can examine the genre conventions, or you can say, 'What would it be like if I were a werewolf?'
In the summer of 2010, I was working on a version of "True Detective" that I was thinking might be my next novel, and it was told in these two first-person voices; Cohle and Hart's voices.
In the summer of 2010, I was working on a version of 'True Detective' that I was thinking might be my next novel, and it was told in these two first-person voices; Cohle and Hart's voices.
It's a lot to expect of yourself, to write a novel in a year. Anyway, you don't write a novel, you write a scene, and then another scene.
There are people who say they want to write novels. They think, 'I'll learn my craft on the romance novel.' If you don't love the genre, it's going to show, and it's not going to be a good book.
Like lots of people who say, 'I'm going to write a novel,' it's actually more comfortable to think I could write a novel than to discover that you can't.
To write a novel may be pure pleasure. To live a novel presents certain difficulties. As for reading a novel, I do my best to get out of it.