A Quote by Svetlana Alexievich

Real people speak in my books about the main events of the age, such as the war, the Chernobyl disaster, and the downfall of a great empire. — © Svetlana Alexievich
Real people speak in my books about the main events of the age, such as the war, the Chernobyl disaster, and the downfall of a great empire.
'Chernobyl' is a human story. It's not a disaster movie. It's not about explosions. It's about people and truths and lies.
Chernobyl is a unique place on the planet, where nature revives after a world-wide man-made disaster, where there is a real 'ghost town.'
The London I entered was a great bustling metropolitan city at war, an imperial power fighting to hold on to that empire. And the teeming colonial subjects of that empire did not, on the whole, want England to lose that war, but they also did not want the empire to emerge unchanged from it. This, for very many of us, was the hard dilemma.
Ukraine announced plans to open Chernobyl, their nuclear disaster site, to tourists. They say it's just like Disneyland, except the 6-foot mouse is real.
Fifty years would seem to be time enough to prepare a definitive history of the Second World War. In an age of instant data-gathering, one might think that the historians could have arrived at a consensus for interpreting the main events of the war. In reality, no such consensus exists.
American Empire- it is an empire that lacks the drive to export its capital, its people and its culture to those backward regions which need them most urgently and which, if they are neglected, will breed the greatest threats to its security. It is an empire, in short, that dare not speak its name. It is an empire in denial.
The real cause of the great upheavals which precede changes of civilisations, such as the fall of the Roman Empire and the rise of the Arabian Empire, is a profound modification in the ideas of the peoples .... The memorable events of history are the visible effects of the invisible changes of human thought .... The present epoch is one of these critical moments in which the thought of mankind is undergoing a process of transformation.
The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you're hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.
When men talk about war, the stories and terminology vary - it's this battle, these weapons, this terrain. But no matter where you go in the world, women use the same language to speak of war. They speak of fire, they speak of death, and they speak of starvation.
In the 1990s, it's OK to do comedy about the Chernobyl disaster or the Space Shuttle blowing up. It's acceptable to ridicule the Pope or the President of the United States, but God forbid you do a joke... about gays. The gay community is the last sacred cow in this society.
Any of my previous fights before the UFC and 'the Ultimate Fighter' were all main events and co-main events.
The main motivation was to explore the empire's falling. I mean 'Duck City' is like an allegory for the Western Empire or the United States. And I was thinking what happens when it falls and declines like the Roman Empire.
The loss of India would mark and consummate the downfall of the British Empire. That great organism would pass at a stroke out of life into history.From such a catastrophe there could be no recovery.
When I was young and the empire was beginning to disintegrate, the idea was absolutely unbelievable, particularly to children who'd been taught that the sun never set... that's what all my books are about, the end of empire.
Eighteen years since the Chernobyl disaster. Is it just me surprized? Still no superheroes!
Britain fought the second world war with men and money partly drawn from the empire and that, after the defence of the home islands, the survival of the empire was a fundamental war aim.
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